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About this concert
A genuine marathon as a prelude to the Festival: in the course of three concerts the Huelgas Ensemble will sing an entire alphabet of Burgundian composers, one for every letter.
It concerns composers who were employed by the Burgundian court, with a special exception for Josquin, prince of polyphony. The singers stagger arm in arm with Paul Van Nevel, visiting mass movements, motets and chansons by known and masters-to-be-discovered like Champion, Divitis, Binchois, de Orto, van Weerbeke and many others. With ‘anonymous’ to ‘incognito’ they bring a double ode to the many nameless polyphonists who nonetheless made breathtaking contributions to the polyphonic repertoire of the 15th century.
Programme
-
Anonymus
Ou lit de pleurs
ca. 1490 -
Binchois, Gilles
Sanctus
ca. 1400-1460 -
Busnois, Antoine
Bel Acueil
ca. 1430-1492 -
Champion, Nicolas
Agnus Dei uit Missa de Sancta Maria Magdalena
ca. 1475-1533 -
Divitis, Antonius
Kyrie Si Dedero
ca. 1470-ca. 1525 -
Egidius
Roses et lis ay veu ballade
fl. ca. 1380 -
Fontaine, Pierre
Mon cuer pleure
ca. 1395-ca. 1450 -
Grenon, Nicolas
Plasmatoris humani
ca. 1375-1456 -
Horlay
Helas je suy livré a mort
fl. ca. 1430-1460 -
Incertus
Agnus Dei uit Missa n’avez point veu
ca. 1515
Musicians
- Axelle Bernage, Rosemary Galton, Sabine Lutzenberger, Helen Cassano superius
- Olivier Coiffet, Paul Bentley-Angell, Adriaan De Koster, Tom Phillips, Matthew Vine tenor
- Frederik Sjollema baritonans
- Guillaume Olry, Joel Frederiksen bassus
- Paul van Nevel artistic direction
About the performers
The Huelgas Ensemble, founded by Paul Van Nevel and named after the 13th-century Codex Las Huelgas, has for over forty years been one of the leading ensembles in the area of medieval and Renaissance music. The ensemble works with varying vocal and instrumental line-ups according to the requirements of the repertoire. The ensemble has given many memorable performances at the Festival and has made dozens of CDs.