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About this concert
A genuine marathon as a prelude to the Festival: in the course of three concerts the Huelgas Ensemble will sing an entire alphabet of Burgundian composers, one for every letter.
It concerns composers who were employed by the Burgundian court, with a special exception for Josquin, prince of polyphony. The singers stagger arm in arm with Paul Van Nevel, visiting mass movements, motets and chansons by known and masters-to-be-discovered like Champion, Divitis, Binchois, de Orto, van Weerbeke and many others. With ‘anonymous’ to ‘incognito’ they bring a double ode to the many nameless polyphonists who nonetheless made breathtaking contributions to the polyphonic repertoire of the 15th century.
Programme
-
Rue, Pierre de la
Sanctus ‘Sub tuum presidium’
ca. 1460-1518 -
Stockem, Johannes
Gloria de Beata Virgine
ca. 1445-na 1501 -
Tapissier, Jehan
Eya Dulcis
ca. 1370-1410 -
Urrede, Johan
Pange lingua
ca. 1430-na 1482 -
Vide, Jacobus
Il m’est si grief
ca. 1395-ca. 1441 -
Weerbeke, Gaspar van
Sanctus ‘Venus Bant’
ca. 1445-na 1517 -
Ycart, Bernardus
Non touches a moy
fl. 1478-1485 -
Zonder naam (Anonymous)
Agnus Dei from Missa octo vocum supra miserere michi
ca. 1505
Musicians
- Axelle Bernage, Rosemary Galton, Sabine Lutzenberger, Helen Cassano superius
- Olivier Coiffet, Paul Bentley-Angell, Adriaan De Koster, Tom Phillips, Matthew Vine tenor
- Frederik Sjollema baritonans
- Guillaume Olry, Joel Frederiksen bassus
- Paul Van Nevel artistic direction
About the performers
The Huelgas Ensemble, founded by Paul Van Nevel and named after the 13th-century Codex Las Huelgas, has for over forty years been one of the leading ensembles in the area of medieval and Renaissance music. The ensemble works with varying vocal and instrumental line-ups according to the requirements of the repertoire. The ensemble has given many memorable performances at the Festival and has made dozens of CDs.