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About this concert
A top-ranking female singer, four nimble-fingered born musicians, the monumental Buxheimer Codex and a stiff dose of idiosyncrasy: the recipe for a first-rate concert. Guillermo Pérez and David Catalunya now belong among the elite of superior keyboard players, and are at their very best in this prize-winning programme of chansons and ballades by Dufay, Binchois, Ciconia and contemporaries. A major role is played by the eschiquiers: early keyboard instruments whose strings are struck with hammers.
Programme
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Anonymous
Praeambulum super F*
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Gilles Binchois
Je loe amours
ca. 1400-1460 -
Anonymous
Modocomo*
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Bartolomeo Bruolo
Entrepris suis*
fl. ca. 1425-1435 -
Gilles Binchois
Esclaphe*
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Guillaume Dufay
Par le regard*
1397-1474 -
Guillaume Dufay
Se la face ay pale
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Guillaume Dufay
Se la phase pale*
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Gilles Binchois
Dueil angoisseus
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John Bedyngham
O rosa bella*
fl. 1460 -
John Dunstaple
Puisque m’amour*
ca. 1390-1453 -
Anonymous
Virginem mire pulchritudinis,
Praeambulum super La* -
Guillaume Dufay
Hé compaignons
*from: Buxheim Codex
Musicians
- Barbara Zanichelli voice
- David Catalunya hammered clavisimbalum
- Reinhild Waldek harp
- Pau Marcos renaissance viol, fiddle
- Guillermo Pérez organetto and musical direction
About the performers
Clavicytheria, clavicordia and Gothic organs: Tasto Solo employs the most varied historical keyboard instruments in order to rediscover the important keyboard repertoire from the 14th and 15th centuries. This basic principle naturally entails the accurate reconstruction of the instruments, but the link with the vocal music of that period is also not overlooked. In 2006 Tasto Solo won the prestigious IYAP Early Music Award in Antwerp, and since then has given concerts worldwide.