Cappella Pratensis / Stratton Bull
Josquin Deprez: The imitation game
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Recorded live at the Jacobikerk Utecht, 30 August 2018
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About this concert
Quotation is plagiarism. True? Not in the music of the Middle Ages and Renaissance. Composers cut, pasted and conjured with existing melodies and created new works from historical material. The singer-researchers of Cappella Pratensis closely examine Josquin’s ingenious tricks of the trade and place him next to examples and followers like Busnois, Ockeghem and Willaert.
Programme
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Johannes Ockeghem
D’ung aultre amer
ca. 1410-1497 -
Hayne van Ghizeghem
De tous biens plaine
ca. 1445-1472-97 -
Josquin Desprez
Victime paschali
ca. 1450/55-1521 -
Antoine Busnoys?
Fortuna desperata
ca. 1430-1492 -
Josquin Desprez
Missa Fortuna desperata: Kyrie
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Johannes Ockeghem
Petite camusette
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Josquin Desprez
Petite camusette
Faulte d’argent -
Adriaan Willaert
Faulte d’argent
ca. 1490-1562 -
Josquin Desprez
Mille regretz
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Nicolas Gombert
Mille regretz
ca. 1495-ca. 1560 -
Josquin Desprez
Praeter rerum seriem
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Cipriano De Rore
Missa Preter rerum seriem: Agnus Dei
1515/16-1565
Musicians
- Lior Leibovici alto
- Pieter De Moor, Peter de Laurentiis tenor
- Marc Busnel, Pieter Stas bass
- Stratton Bull, Andrew Hallock musical direction
About the performers
Cappella Pratensis, under its conductor Stratton Bull, is a vocal ensemble specializing in the performance of polyphonic masterpieces by composers including Josquin Desprez. The singers gather around a central music lectern and sing from a single choirbook. Cappella Pratensis has won awards including the Diapason d’Or and the Prix Choc.