201905. Weser Renaissance Bremen Manfred Cordes Giovanni De Macque Madrigalen © Concertomedia
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About this concert

An expressionistic serenade as the prelude to a thrilling Festival week: this was the task assigned to Manfred Cordes and Weser-Renaissance Bremen. In Giovanni De Macque – one of the finest madrigalists of the period around 1600 – they found the perfect partner. De Macque, born in Valenciennes, was trained in Naples and evolved from conservative to experimental, writing multicoloured, evocative music on texts about ecstasy and broken hearts.

Programme

  • Giovanni de Macque

    Cantan gl‘ augelli 
    Tu segui o bella Clori
    Vidi Fillide mia
    (from: Sesto Libro de Madrigali de Cinque Voci, Venice 1613)

    O gran stupore
    Tutta leggiadra e bella
    I tuoi capelli o Filli
    Tu ti lagni al mio pianto
    Fuggia la note
    La mia doglia s’avanza
    Incenerito è’ petto
    Quella vermiglia rosa
    (from: Sesto libro de madrigali)

    Ricercare del primo tono instrumental

    Sono acqua viva
    Deh se pietosa sei
    (from: Sesto libro de madrigali)

    ca. 1550-1614

Musicians

  • Jessica Jans soprano
  • David Erler alto
  • Bernd Oliver Fröhlich countertenor
  • Jan Van Elsacker tenor
  • Ulfried Staber bass
  • Margit Schultheiß harp
  • Manfred Cordes musical direction

About the performers

With a varying line-up of both instrumentalists and singers, the vocal ensemble Weser Renaissance Bremen performs a wide range of repertoire, and recently celebrated its 25th anniversary. In 1983 Manfred Cordes became the ensemble’s director, and since then Weser Renaissance has become a much sought-after ensemble for 16th and 17th-century music. For the past few years the ensemble has worked with an entirely new cast, and has received much praise for its recordings of Josquin Desprez and Cristóbal Morales. Recent CDs include works by Johann Walter, Tobias Michael and Giacomo Carissimi.