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About this concert
The harmonic experiments, radical chromaticism and stylistic freedom of Giovanni De Macques prove how exciting Neapolitan keyboard repertoire actually is. Baroque expert Jean-Marc Aymes chooses his favourite toccatas and canzonas from the keyboard oeuvre of this Franco-Flemish composer, whose employers included the Gesualdo family in Naples.
Programme
-
Giovanni de Macque
Intrata d’organo
Capriccio sopra re, fa, mi, sol
Prima gagliarda
Durezze, e ligature
Capriccio sopra tre soggetti
Prima canzon
Seconda gagliarda
Capriccietto
Canzon chiamate le due Sorelle
Prima parte
Seconda parte
Consonanze stravaganti
Canzona Franceseca. 1550-1614 -
Giovanni de Macque / Giovanni Maria Trabaci
VIII Partite sopra Ruggiero
Partita I (De Macque)
Partita II (Trabaci)
Partita III (De Macque)
Partita IV (Trabaci)
Partita V (De Macque)
Partita VI (Trabaci)
Partita VII (Trabaci)
Partita VIII (De Macque)ca. 1575-1647 -
Giovanni de Macque
Canzona alla Francese I
Canzona alla Francese I
Seconde Stravaganze
Canzona alla Francese
Toccata a modo di Trombette
Prime stravaganze
Canzona alla Francese
Capriccio sopra un soggetto
Seconda canzon
Musicians
- Jean-Marc Aymes harpsichord
About the performer
Jean-Marc Aymes is an organist, harpsichordist and conductor. His recordings of Frescobaldi’s complete oeuvre for keyboard instruments won various prizes, including a Diapason d’Or and a Joker from the Belgian magazine Crescendo. Aymes is artistic director of the Mars en Baroque festival in Marseilles and teaches harpsichord at the CNSMD (National Conservatoire of Music and Dance in Lyon.) Together with soprano María Cristina Kiehr he directs the ensemble Concerto Soave.