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About this concert
Around 1700 in Naples anyone who aspired to make a career as a violinist had the monumental figure of Gian Carlo Cailò to reckon with: this virtuoso worked for the royal chapel and taught at four conservatoires. Only one of his sonatas was preserved, which inspired the young Dutch star violinist Eva Saladin, together with Daniel Rosin on cello and Johannes Keller on harpsichord, to build a programme around Cailò and his brilliant pupils Mascitti and Piani.
Programme
-
Michele Mascitti
Sonata II
Adagio
Allegro
Allegro
Adagio
Allegro
(from: Sonate a violino solo op. 1, libro Primo, Amsterdam, 1704)1664-1760 -
Nicola Matteis
Passaggio rotto
Fantasia for violin
(from: Ayres for the Violin, the second part, London, 1676)ca. 1650-1713 -
Gian Carlo Cailò
Sonata per violino e basso continuo
Adagio
Canzona
Adagio
Allegro
Adagio
Allegro
(from: manuscript collection Leuven, family archive Di Martinelli)1659-1722 -
Michele Mascitti
Sonata III
Adagio
Allegro
Corrente
Sarabanda Adagio
Presto
(from: Sonate da camera a violino solo op. 2, Paris, 1706) -
Alessandro Scarlatti
Toccata VII primo tono for harpsichord
(from: collection Biblioteca del Conservatorio di Napoli)1660-1725 -
Giovanni Antonio Piani
Preludio
Allemanda
Sarabanda
Giga
Presto
(from: Sonate a Violino Solo op. 1, Paris, 1712)1687-after 1759
Musicians
- Eva Saladin violin
- Daniel Rosin cello
- Johannes Keller harpsichord
About the performers
Eva Saladin is a violinist. She studied with Kees Koelmans and Lucy van Dael at the Conservatorium van Amsterdam and with Leila Schayegh and David Plantier at the Schola Cantorum Basiliensis, where in 2013 she was awarded her masters diploma in Baroque violin summa cum laude. Saladin studies and experiments with historical playing techniques and styles, as well as with ornamentation and improvisation. She belongs to Ensemble Odyssee, based in Amsterdam, and is co-leader of both the Baroque orchestra La Cetra in Basel and Gli Angeli Genève. She also performs with ensembles such as Il Profondo and Profeti della Quinta. In addition she is involved with the collective Studio 31 which performs Early Baroque and contemporary repertoire.
Johannes Keller studied harpsichord with Jörg-Andreas Bötticher and basso continuo and ensemble direction with Jesper Christensen and Andrea Marcon at the Schola Cantorum Basiliensis. He is co-founder of Ensemble Il Profondo and Duo L’Istante. Keller performs with ensembles including La Cetra Barockorchester in Basel, Venice Baroque Orchestra and Les Siècles, and has been guest of the Freiburger Barockorchester, the Berliner Philharmoniker and the hr-Sinfonieorchester. Since 2013 Keller has taught intonation and tuning types at the Schola Cantorum Basiliensis. His research is mainly dedicated to enharmonic (microtonal) instruments of the sixteenth and seventeenth centuries and their performance practice.