201909. Eva Saladin, Daniel Rosin & Johannes Keller © Anna Van Kooij
previewVideoImage?.Name
previewVideoImage?.Name

You don't have access to this concert.

Available {{ toDateTime(item.earliestViewableStart, 'en-GB') }}

The concert is no longer available.

About this concert

Around 1700 in Naples anyone who aspired to make a career as a violinist had the monumental figure of Gian Carlo Cailò to reckon with: this virtuoso worked for the royal chapel and taught at four conservatoires. Only one of his sonatas was preserved, which inspired the young Dutch star violinist Eva Saladin, together with Daniel Rosin on cello and Johannes Keller on harpsichord, to build a programme around Cailò and his brilliant pupils Mascitti and Piani.

Programme

  • Michele Mascitti

    Sonata II 
    Adagio
    Allegro
    Allegro
    Adagio
    Allegro
    (from: Sonate a violino solo op. 1, libro Primo, Amsterdam, 1704)

    1664-1760
  • Nicola Matteis

    Passaggio rotto
    Fantasia for violin
    (from: Ayres for the Violin, the second part, London, 1676)

    ca. 1650-1713
  • Gian Carlo Cailò

    Sonata per violino e basso continuo
    Adagio
    Canzona
    Adagio
    Allegro
    Adagio
    Allegro
    (from: manuscript collection Leuven, family archive Di Martinelli)

    1659-1722
  • Michele Mascitti

    Sonata III
    Adagio
    Allegro
    Corrente
    Sarabanda Adagio
    Presto
    (from: Sonate da camera a violino solo op. 2, Paris, 1706)

  • Alessandro Scarlatti

    Toccata VII primo tono for harpsichord
    (from: collection Biblioteca del Conservatorio di Napoli)

    1660-1725
  • Giovanni Antonio Piani

    Preludio
    Allemanda
    Sarabanda
    Giga
    Presto
    (from: Sonate a Violino Solo op. 1, Paris, 1712)

    1687-after 1759

Musicians

  • Eva Saladin violin
  • Daniel Rosin cello
  • Johannes Keller harpsichord

About the performers

Eva Saladin is a violinist. She studied with Kees Koelmans and Lucy van Dael at the Conservatorium van Amsterdam and with Leila Schayegh and David Plantier at the Schola Cantorum Basiliensis, where in 2013 she was awarded her masters diploma in Baroque violin summa cum laude. Saladin studies and experiments with historical playing techniques and styles, as well as with ornamentation and improvisation. She belongs to Ensemble Odyssee, based in Amsterdam, and is co-leader of both the Baroque orchestra La Cetra in Basel and Gli Angeli Genève. She also performs with ensembles such as Il Profondo and Profeti della Quinta. In addition she is involved with the collective Studio 31 which performs Early Baroque and contemporary repertoire.

Johannes Keller studied harpsichord with Jörg-Andreas Bötticher and basso continuo and ensemble direction with Jesper Christensen and Andrea Marcon at the Schola Cantorum Basiliensis. He is co-founder of Ensemble Il Profondo and Duo L’Istante. Keller performs with ensembles including La Cetra Barockorchester in Basel, Venice Baroque Orchestra and Les Siècles, and has been guest of the Freiburger Barockorchester, the Berliner Philharmoniker and the hr-Sinfonieorchester. Since 2013 Keller has taught intonation and tuning types at the Schola Cantorum Basiliensis. His research is mainly dedicated to enharmonic (microtonal) instruments of the sixteenth and seventeenth centuries and their performance practice.