You don't have access to this concert.
The concert is no longer available.
About this concert
After more than thirty years at the top Ensemble Daedalus is saying goodbye to the concert stage. That demands a fitting farewell. Roberto Festa sought and found music which mirrors his journey over three decades. With Italian carnival songs and morescas by Renaissance composers such as Barbetta, Banchieri and Falconieri, this farewell will be above all a party, with – true to tradition – first-rate performers, such as his travelling companion Marco Beasley.
Programme
-
Prologue
-
Giulio Cesare Barbetta
Moresca IV deta la Bergamasca
(from: Intavolatura de liuto, 1585)1540-1603 -
Adriano Banchieri
Gli amanti morescano
(from: ed. R. Amadino, Festino nella sera del giovedì grasso, 1608)1568-1634 -
***
Scene 1. The Moorish woman -
Anonymous
Yo me soy la morenica
(from: Cancionero di Upsala) -
Anonymous
In Toledo una donzella
(from: ed. G. Scotto, Villotte alla Napoletana a tre voci, 1566) -
***
Scene 2. First love, or: the gullible -
Anonymous
E vorria sapere
(from: ed. G. Scotto, Villotte alla Napoletana a tre voci, 1566) -
Giovanni Domenico da Nola
St' amaro core mio è diventato
(from: ed. F. Rampazzetto, Canzone napolitane nuovamente composte da Don Gio: di Nola, 1563)1510-1592 -
Anonymous
Vorria ca fosse ciaola
tekst: Giovan Battista Basile, Le Muse Napolitane
(from: Il terzo libro delle villotte alla napolitana a tre, 1567) -
***
Scène 3. Turkish intermezzo -
Giulio Cesare Barbetta
Moresca III deta il Mattaccino
(from: Intavolatura de liuto, 1585) -
Anonymous
Li saracin' adorano lo sole
(from: ed. A. el Re e R. Ballard, Il primo libro delle villanelle a 3, 1545) -
***
Scene 4. The betrayed lover, or: the bitter bile of love -
Anonymous
Si te credisse
text: Giovan Battista Basile
(from: ed. G. Scotto, Canzon napolitane a tre, 1566) -
Perissone Cambio
Deh! La morte de mariteto
(from: ed. A. Gardane, Canzone villanesche di Messer Adriano Wigliaret, 1545)ca. 1520-ca. 1562 -
Anonymous
Tu sai che la cornacchia
(from: ed. J. de Colonia, Canzone villanesche alla napolitana, 1537) -
***
Scène 5. Triumphs of love -
Anonymous
Mi fai morire
(from: ed. G. Scotto, Villotte alla Napoletana a tre voci, 1566) -
Andrea Falconieri
O vezzosetta
(from: ed. Gio. Battista Robletti, Libro terzo di villanelle, 1616)ca. 1585-1656 -
Orlandus Lassus
'Sto core mio se fosse di diamante
(from: ed. T. Susato, Le quatoirsiesme livre a quatre parties...par Rolando di Lasso, 1545)ca. 1530/32-1594 -
***
Epilogue. Sound advice: do not fall in love -
Anonymous
Si li femmen
(from: ed. G. Scotto, Canzon napolitane a tre, 1566) -
Giulio Cesare Barbetta
Moresca IV deta la Bergamasca
(from: Intavolatura de liuto, 1585)
Musicians
- Monika Mauch soprano
- Marco Beasley tenor
- Josep Benet tenor
- Josep Cabré baritone
- Silvia Tecardi viola da gamba
- Brigitte Gasser viola da gamba
- Pierre Pitzl viola da gamba, guitar
- Hugh Sandilands guitar, lute
- Leonardo Massa colascione
- Fabio Tricomi percussion, violin, lute, double flute
- Samuel Huguenin flute
- Roberto Festa flute and musical direction
About the performers
Daedalus was founded by flautist Roberto Festa in 1986. In 2019, with thirty-three years of impressive concerts and recordings to his name, the ensemble will perform their last concert in the Utrecht Early Music Festival. Daedalus works with a regular core of musicians who are specialists in Italian Late Renaissance music. Their starting point is rhetoric and the way in which text and music come together.