201920. La Fonte Musica Michele Pasotti Da Caserta And Filipotti Dulcedo Et Subtillitas © Concertomedia
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About this concert

Filippotto and Antonello da Caserta were the first Neapolitan composers whose music was preserved. It is anything but primitive: these two belong amongst the prominent representatives of ars subtilior and the melodic Italian style which musicologist Nino Pirrotta christened ‘dulcedo’. La Fonte Musica immerses itself in the heritage of the first Neapolitan School, and gives us a taste of both early notated compositions and the unwritten traditions.

Programme

  • Antonello da Caserta

    Più chiar che il Sol

    late 14th- early 15th century
  • Filippotto da Caserta

    Par le grant Senz d'Adriane

    fl. ca. 1370
  • Anonymous

    Codex Faenza 117
    Viver ne puis instrumental

    14th century
  • Anonymous

    Dolce lo mio drudo

    14th century
  • Antonello da Caserta

    Antonello da Caserta
    Con dogliosi martire instrumental

  • Filippotto da Caserta

    De Ma Dolour

  • Anonymous

    E vantende segnor mio

    14th century
  • Anonymous

    Codex Faenza 117
    J'aim la biauté instrumental

    14th century
  • Filippotto da Caserta

    En attendant

  • Anonymous

    Codex Faenza 117
    [No title] instrumental

    14th century
  • Antonello da Caserta

    Amour m'a le cuer mis
    Del Glorioso Titolo

Musicians

  • Alena Dantcheva soprano
  • Francesca Cassinari soprano
  • Alice Borciani soprano
  • Gianluca Ferrarini tenor
  • Teodoro Baù viola da gamba
  • Efix Puleo fiddle
  • Marta Graziolino ghotic harp
  • Marco Domenichetti flute
  • Michele Pasotti lute and musical direction

About the performers

la fonte musica was founded by Michele Pasotti and specializes in the interpretation of late medieval music, with special focus on the Italian Trecento. A vital element in this is philological research, which involves returning to the roots of medieval polyphony, exploring the deeper meaning of the texts and the musical choices present in the compositions. The name of the ensemble alludes to the fountain, a topos in medieval poetry, a place of regeneration and life, and a symbol of pleasure.