201923. L'escadron Volant De La Reine Caresana, Ziani, Scarlatti Settimana Santa © Concertomedia
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About this concert

‘True lovers of Italian music’ is how the musicians of the young ensemble L’Escadron volant de la Reine describe themselves. Their fascination with Naples resulted in a programme for Holy Week. A sonata by Ziani, a motet by Caresana and a dialogue by Nola embrace two ‘leçons de ténèbres’ by Alessandro Scarlatti. His Miserere and Sinfonia Terremoto provide the turbulent final note.

Programme

  • Pietro Andrea Ziani

    Sonata 18 a5 instrumental

    1616-1684
  • Antonio Nola

    Dialogo Homo e Angelo

    1642-?
  • Alessandro Scarlatti

    Sinfonia instrumental
    Seconda lettione del Venerdi Santo
    Lectio seconda feria vi in Parasceve
    Sinfonia 4 a quattro senza cembalo instrumental
    Allegro
    Grave
    Allegro
    Minuet

    1660-1725
  • Cristofaro Caresana

    Salve regina

    ca. 1640-1709
  • Alessandro Scarlatti

    Sinfonia (‘Terremoto’) instrumental
    Miserere

Musicians

  • Eugénie Lefebvre soprano
  • François Joron tenor
  • L’Escadron Volant de la Reine
  • Josèphe Cottet, Simon Pierre violin
  • Benjamin Lescoat viola
  • Antoine Touche cello
  • Julie Dessaint violone
  • Thibaut Roussel theorbe
  • Clément Geoffroy harpischord, organ

About the performers

A non-hierarchical organisation which combines precision and imagination: that is the goal of ensemble L’Escadron Volant de la Reine (The Flying Squadron of the Queen.) The name refers to the band of ladies-in-waiting whom Catherine de’ Medici recruited to forge, simply by means of their presence and conversation, peaceful human relationships within the various European courts. Ensemble L’Escadron was an initiative of cellist Antoine Touche, but generally works without a conductor. L’Escadron likes to focus on unknown works from the 17th and 18th centuries, particularly from Italy.