Kate Clark, João Carlos Santos & Pablo Sosa
The flute in the Renaissance
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Recorded live at the Gertrudiskapel Utrecht, 30 August 2020
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About this concert
Kate Clark, João Carlos Santos and Pablo Sosa del Rosario join forces in a consort consisting of Renaissance flutes. They explore repertoire from the fifteenth and sixteenth centuries on soprano, tenor and bass flute.
Kate Clark, João Carlos Santos and Pablo Sosa del Rosario are part of Attaignant Consort.
Programme
-
Guillaume Dufay
Flos florum
1397-1474 -
Alexander Agricola
Bicinium
1445-1506 -
Johannes Ockeghem
Fors seulement láctente que je meure
ca. 1410-1497 -
Josquin Desprez
Per illud ave prolatum
1450/55-1521 -
Anonymous
Jaegerhorn
16the century -
Giovanni Bassano
Fantasia I
Ricercata III1560/61-1617 -
Costanzo Festa
Madonna io prend’ardire
ca. 1485/90-1545 -
Vincenzo Ruffo
La disperata
1508-1587 -
John Dunstaple
‘Puzzel canon’
ca. 1390-1453 -
Orlando Gibbons
Fantasia
ca. 1583-1625 -
Henry VIII
Tandernaken
1491-1547 -
Jacob Obrecht
Ave maris stella
1457/58-1505 -
Jan Pieterszoon Sweelinck
Ave maris stella
1562-1621 -
Jacob van Eyck / Giulio Caccini
Amarilli mia bella
1590-1657 / 1551-1618 -
Orlandus Lassus
Sicut rosa
c. 1530/32-1594 -
Jan Pieterszoon Sweelinck
Hor che soave
Yeux, qui guidez mon ame
Musicians
- Kate Clark soprano- & tenor flute
- João Carlos Santos tenor flute
- Pablo Sosa del Rosario bass flute
About the performers
Born 1962 in Sydney, Kate Clark gained her Bachelor of Music - on modern and baroque flutes – from the University of Sydney in 1985. In the same year she was a finalist in the Australian National Flute Competition and guest principal flautist with the Australian Chamber Orchestra. One of the world’s leading performers on the Renaissance flute, she is co-founder and artistic director of the Attaignant Consort. Kate Clark gives lectures and courses all over Europe, in Israel, the United States and Australia. She teaches historical flutes at the Royal Conservatorium The Hague (since 1996). Her personal interest in music extends to many different periods and styles, and her non-musical interests include languages, poetry, morality and justice.
At the age of 14, João Carlos Santos discovered his passion for old instruments. The historical sources describing their performance sparked in him not only an interest in early music but also in general aesthetical ideas and the history of thought. João studied philosophy at the University of Brasilia and music at the Brasília Conservatory. At the Royal Conservatory in The Hague he studied with Barthold Kuijken (historical flutes), Kate Clark (renaissance flute) and Paul Schepers (historical theory/composition of music). Since 2012 he teaches courses about performance practice, music theory and philosophy at the same institute. With various ensembles, João regularly performs music ranging from the 16th century to the present day. He is currently a PhD candidate at Leiden University/Orpheus Instituut where he studies the connection between historical acting, musical practices and 18th-century philosophy.
Pablo Sosa del Rosario was born in 1991 in San Cristóbal de La Laguna, Tenerife. He started to study flute in the conservatoire of Santa Cruz de Tenerife, where he finished his Intermediate degree with Catherine Biteur with honours and special award. In 2009 he was admitted to the Royal Conservatory of Madrid. While studying here he became interested in early music and he started to play the traverso. In June 2017 he finished the Master’s course of Baroque and Classical flute at the Royal Conservatoire The Hague with Wilbert Hazelzet and Kate Clark with honours and distinction. He has played in several early music orchestras and ensembles, such as the Orchestra of the Eighteenth Century and the Balthasar Neumann Orchestra.