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About this concert
Following the example of orators who tried to move their listeners with vivid descriptions, Renaissance composers experimented with rhythms and harmonies to evoke mental images. I Fedeli and Ivo Haun de Oliveira use music by composers such as Willaert, Josquin and Clemens non Papa to paint musical portraits of the courtier in love, the grieving one and the pious one.
Programme
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The Courtier in Love
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Adrian Willaert
I' vidi in terra
ca. 1490-1562 -
Jacques Arcadelt
Il vagh'e dolce sguardo
1507?-1568 -
Adam von Fulda
Ach hülf mich leid
ca. 1445-1505 -
Stephan Mahu
Von edler Art - Ach hilf mich leid
ca. 1480/90-1541? -
Adrian Willaert
Dulces Exuviae
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The Mourner
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Thomas Stolzer
Melodia VI. toni
ca. 1480-1526 -
Josquin Desprez
Planxit autem David
1450/55-1521 -
The Pious
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Marcantonio Cavazzoni
Ricercare II tono
1485-1569 -
Adrianus Petit Coclico
Clamavit ad me
1499/1500-ca. 1562 -
Jean le Brung
Saule, Saule quid me persequeris
fl. early 16th century -
Ludwig Senfl
Patientia muß ich han
ca. 1486-1543 -
Jacobus Clemens non Papa
Fremuit spiritu Jesu
ca. 1510-1555/6
Musicians
- Ivo Haun de Oliveira tenor
- I Fedeli
- Johanne Maitre shawm, pommer, alto dulcian
- Maximilien Brisson sackbut
- Nora Hansen dulcian
- Maria Morozova-Meléndez organ
- Josué Meléndez cornetto and musical direction
- Catherine Motuz sackbut and musical direction
- Organ: commissioned by Castello Consort and built by organ firm Reil
About the performers
I Fedeli specialises in the performance of wind music from the sixteenth and seventeenth centuries. The ensemble was founded by Josué Meléndez and Nora Hansen with the aim of introducing a wider audience to the repertoire for the cornetto and other wind instruments from the Renaissance. In 2009 I Fedeli won first prize at the International Young Artist's Presentation in Antwerp.