202131. Marie Van Rhijn Marais’ Alcide Aan Het Klavecimbel © Concertomedia
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About this concert

Narrating and translating, writing and editing, composing and transcribing: every language is fluid, including music’s own language. In the eighteenth century Marais’ opera Alcide, composed in collaboration with Louis Lully, was performed and arranged several times for harpsichord. The young French harpsichordist Marie van Rhijn proves that these rich transcriptions have still not lost any of their power.

Programme

  • Marin Marais

    Pieces for harpsichord taken from Alcide (1693)

    Prologue
    Overture - Air de Trompette - Marche pour les habitants des climats heureux - Air - Air pour les bergers - Passepied - Rigaudon

    Act I
    Air pour les peuples d’Aecalie - Sarabande pour deux hommes - Menuet

    Act II
    Air pour les nymphes et les zéphyrs - Caprice

    Act III
    Air pour les enchanteresses de Thessalie - Air pesamment - Air de Mr Marais

    Act IV
    Marche Gai - Air doucement - Air Gai - Air

    Act V
    Air pour les ministres et les prêtres - Rondeau (Gavotte)

    Epilogue
    Rondeau redoublé

    1656-1728

Musicians

  • Marie van Rhijn harpsichord

About the performers

Soloist and continuo player Marie van Rhijn performs at various prestigious festivals and venues, such as Philharmonie de Paris, Royal Albert Hall, Lincoln Center, Tchaikovsky Concert Hall, Festival d’Innsbruck and Festival de Spoleto. Van Rhijn toured with Les Arts Florissants and performs regularly with several other early music ensembles. She founded Trio Dauphine, a formation with harp, harpsichord and violin. Amongst numerous scholarships, she has received awards from the Adami, Société Générale, Fondation Meyer, Fonds Tarrazzi, Paris aides Jeunes Talents, and SYLFF Foundation (Japan). Marie van Rhijn studied harpsichord with Ilton Wjuniski, Olivier Baumont, Blandine Rannou, Kenneth Weiss, Noëlle Spieth and Stéphane Fuget.