202161. Gli Angeli Geneve Stephan Macleod © Marieke Wijntjes
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About this concert

When in 1517 Martin Luther nailed his 95 theses to the door of the castle church in Wittenberg, he started a movement of resistance and renewal that would also translate into music. The texts of the Luther Bible were eagerly used by composers to penetrate more directly and profoundly to the heart of the listener.

Gli Angeli Genève, our artist in residence in 2016, shows in four song clusters how different composers gave shape to the same Protestant lyrics: from Johann Walter to Samuel Scheidt and Dieterich Buxtehude. Starting and finishing points are Heinrich Schütz, the most significant trailblazer for Johann Sebastian Bach.

Programme

  • Heinrich Schütz

    Die mit Tränen säen
    (from: Geistliche Chormusik, Dresden 1648)

    1585-1672
  • Johann Hermann Schein

    Die mit Tränen säen
    (from: Israelis Brünnlein, Leipzig 1623)

    1586-1630
  • Heinrich Schütz

    Die mit Tränen säen
    (from: Psalmen Davids, Dresden 1619)

  • Dieterich Buxtehude

    Magnificat primi toni, BuxWV 203

    1637-1707
  • Johann Walter

    Mit Fried und Freud ich fahr dahin
    (from: Evangelisches Gesangbuch, Württemberg 1524) 

    1496-1570
  • Dieterich Buxtehude

    Mit Fried und Freud ich fahr dahin
    (from: Klaglied, BuxWV 76)

  • Samuel Scheidt

    Ist nicht Ephraim mein teurer Sohn
    (from: Geistliche Konzert, book 3)

    1587-1654
  • Johann Hermann Schein

    Ist nicht Ephraim mein teurer Sohn
    (from: Israelis Brünnlein)

  • Heinrich Schütz

    Ist nicht Ephraim mein teurer Sohn
    (from: Psalmen Davids)

  • Matthias Weckmann

    Magnificat secundi toni

    1616?-1674
  • Johann Hermann Schein

    Zion spricht: Der Herr hat mich verlassen
    (from: Israelis Brünnlein)

  • Matthias Weckmann

    Zion spricht: Der Herr hat mich verlassen

  • Heinrich Schütz

    Zion spricht: Der Herr hat mich verlassen
    (from: Psalmen Davids)

Musicians

  • Jenny Högström, Aleksandra Lewandowska, Griet De Geyter soprano
  • Robert Getchell, William Knight, Thomas Hobbs, Andrew Tortise tenor
  • Frederik Sjollema, Stephan MacLeod bass
  • Friederike Otto, Doron Sherwin, Gawain Glenton cornetto
  • Claire McIntyre, Juan Gonzalez Martinez, Robert Schlegl, Joost Swinkels trombone
  • Eva Saladin, Anais Chen violin
  • Kaori Uemura, Agnes Boissonot Guilbault viola da gamba
  • Hager Hanana cello
  • Michael Chanu violone
  • Benny Aghassi dulcian
  • Matthias Spaeter, André Henrich lute
  • François Guerrier positive organ
  • Francis Jacob organ
  • Stephan MacLeod musical direction

About the performers

Gli Angeli Genève was founded in 2005 by the bass-baritone Stephan MacLeod. The ensemble presents its own concert series in Geneva and has since September 2017 devoted itself to performing the integral Haydn symphonies. Gli Angeli Genève’s recording Sacred Music of the 17th century in Wroclaw won the ICMA prize for best vocal baroque music recording of the year in 2019. The ensemble was artist in residence during the Utrecht Early Music Festival of 2016.