You don't have access to this concert.
The concert is no longer available.
About this concert
With the unusual combo of two traversos, a cello and a harpsichord, Postscript explores sonatas, dances and fantasias by Bach, Telemann and Handel, and identifies the four personality types or ‘temperaments’ that can be captured in sound. From sanguine to choleric and from phlegmatic to melancholic, Hippocrates’ theory is put to the ultimate acoustic test.
Programme
-
Phlegmatic
-
Johann Sebastian Bach
Sonata for flute in B minor, BWV 1030
Largo e dolceSonata for two flutes and basso continuo in G major, BWV 1039
Adagio
Allegro ma non presto
Adagio e piano
Presto***
Choleric
1685-1750 -
Wilhelm Friedemann Bach
Fantasia for harpsichord in E minor, F. 21
1710-1784 -
Georg Friedrich Händel
Sonata for flute in B minor, HWV 367b
Presto
Alla breveMelancholic
1685-1759 -
Johann Sebastian Bach
Suite voor cello no. 2 in D minor, BWV 1008
Sarabande -
Georg Philipp Telemann
Triosonata, TWV 42:e11
Tendrement
Viste (Gay)
Grave
Allegrement
***
Sanguine1681-1767 -
Georg Philipp Telemann
Fantasia in G major, TWV 40:12
-
Jakob Friedrich Kleinknecht
Sonate pour la flûte traversière Ire et IIde avec la basse continue en sol majeur Op. 2
Arioso, ma, non troppo adagio
Molto allegro
Presto1722-1794
Musicians
- Aysha Will, David Westcombe traverso
- Octavie Dostaler-Lalonde cello
- Artem Belogurov harpsichord
About the performers
The core members of the Dutch ensemble Postscript are Aysha Wills (traverso), David Westcombe (traverso), Octavie Dostaler-Lalonde (cello) and Artem Belogurov (harpsichord). After winning the first prize at the international Brothers Graun Competition (DE) in 2018, Postscript performed a series of concerts in Germany. In June 2019 they recorded their first CD for the Dutch label TRPTK. Two days after its release, one track of the album was selected for Spotify’s ‘Best new Classical releases’ playlist, receiving more than 10,000 plays during that week. The ensemble members share a passion for exploring new ways to approach old music, through the use of both historical research and experimentation.