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About this concert
From Harlequinade to Spagniolet and Ritirata: this suite-of-suites strides, rocks and hops between the surprising Early Baroque of Dietrich Becker, the perfect mastery of Georg Philipp Telemann and the international style mix of violin virtuoso Rupert Ignaz Mayr. With infectious playing and a fresh perspective, the award-winning New Collegium from The Hague makes this exquisite dance repertoire swing again.
Programme
-
Georg Philipp Telemann
Ouverture-suite ‘La Musette’, TWV 55:g1
Ouverture
Napolitaine
Menuet I & II
Musette
Harlequinade
(from: VI Ouvertures à 4 ou 6, Hamburg 1736)1681-1767 -
Dietrich Becker
Sonata-suite a 4
Sonata
Allmand
Courant
Sarband
Gigue
(from: Musicalische Frühlings-Früchte, Hamburg 1668)1623-1679 -
Rupert Ignaz Mayr
Suite II
Sonatina
Spagniolet
Courante
Menuet
Bourée
Ritirata
Gigue
(from: Pythagorische Schmids-Füncklein, Augsburg 1692)1646 -1712 -
Georg Philipp Telemann
Ouverture-suite in F minor, TWV 55:f1
Ouverture
Menuet I & II
Rondeau
Passepied
Plainte
Chaconne
Gigue
(from: VI Ouvertures à 4 ou 6)
Musicians
- Inês d’Avena recorder
- Isabel Favilla recorder, bassoon
- Sara DeCorso, Jacek Kurzydło, Elin Erikkson, Cynthia Miller Freivogel, Joseph Tan, Louella Alatiit violin
- John Ma viola
- Nina Hitz cello
- Hen Goldsobel double bass, violone
- Claudio Ribeiro harpsichord and musical direction
About the performers
Previously known as ‘Collegium Musicum The Hague’, New Collegium continues to pursue its mission with the same passion, inspiring connoisseurs and enthusiasts alike with artisanal baroque performances, supported by the collective. With total conviction New Collegium embraces the original meaning of the ‘collegium’: the combined strength of individuals who connect with each other on the basis of equality and common interests. Fascinated by baroque repertoire and instruments, but also by contemporary listening attitudes and interpretations, these musicians ensure that age-old music is given another hearing.