202193. New Collegium Claudio Ribeiro  Becker, Mayr, Telemann Suites © Concertomedia
previewVideoImage?.Name
previewVideoImage?.Name

You don't have access to this concert.

Available {{ toDateTime(item.earliestViewableStart, 'en-GB') }}

The concert is no longer available.

About this concert

From Harlequinade to Spagniolet and Ritirata: this suite-of-suites strides, rocks and hops between the surprising Early Baroque of Dietrich Becker, the perfect mastery of Georg Philipp Telemann and the international style mix of violin virtuoso Rupert Ignaz Mayr. With infectious playing and a fresh perspective, the award-winning New Collegium from The Hague makes this exquisite dance repertoire swing again.

Programme

  • Georg Philipp Telemann

    Ouverture-suite ‘La Musette’, TWV 55:g1
    Ouverture
    Napolitaine
    Menuet I & II
    Musette
    Harlequinade
    (from: VI Ouvertures à 4 ou 6, Hamburg 1736)

    1681-1767
  • Dietrich Becker

    Sonata-suite a 4
    Sonata
    Allmand
    Courant
    Sarband
    Gigue
    (from: Musicalische Frühlings-Früchte, Hamburg 1668)

    1623-1679
  • Rupert Ignaz Mayr

    Suite II
    Sonatina
    Spagniolet
    Courante
    Menuet
    Bourée
    Ritirata
    Gigue
    (from: Pythagorische Schmids-Füncklein, Augsburg 1692)

    1646 -1712
  • Georg Philipp Telemann

    Ouverture-suite in F minor, TWV 55:f1
    Ouverture
    Menuet I & II
    Rondeau
    Passepied
    Plainte
    Chaconne
    Gigue
    (from: VI Ouvertures à 4 ou 6)

Musicians

  • Inês d’Avena recorder
  • Isabel Favilla recorder, bassoon
  • Sara DeCorso, Jacek Kurzydło, Elin Erikkson, Cynthia Miller Freivogel, Joseph Tan, Louella Alatiit violin
  • John Ma viola
  • Nina Hitz cello
  • Hen Goldsobel double bass, violone
  • Claudio Ribeiro harpsichord and musical direction

About the performers

Previously known as ‘Collegium Musicum The Hague’, New Collegium continues to pursue its mission with the same passion, inspiring connoisseurs and enthusiasts alike with artisanal baroque performances, supported by the collective. With total conviction New Collegium embraces the original meaning of the ‘collegium’: the combined strength of individuals who connect with each other on the basis of equality and common interests. Fascinated by baroque repertoire and instruments, but also by contemporary listening attitudes and interpretations, these musicians ensure that age-old music is given another hearing.