Le Concert d’Apollon / João Rival

From opera to suite: Rameau, Leclair, Mondonville

202196. Le Concert D'apollon © Foppe Schut View trailer
202196. Le Concert D'apollon © Foppe Schut
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About this concert

Jean-Marie Leclair, founder of the French violin school, shares with Rameau not only the year of his death, 1764, but also a miraculous midlife crisis: both were in their fifties when they made their opera debut. Unlike Rameau, Leclair would never write for the stage again. Le Concert d'Apollon links a suite from Leclair’s Scylla et Glaucus to dances from Mondonville’s Les fêtes de Paphos, and to Dardanus, Rameau’s fifth opera.

Programme

  • Jean-Philippe Rameau

    Suite de Dardanus
    Ouverture
    Entrée Majestueuse pour les Guerriers
    Tambourins I & II
    Air - Grave
    Ritournelle vive. Entrée d’Isménor
    Sommeil
    Chaconne

    1683-1764
  • Jean-Marie Leclair

    Suite de Scylla et Glaucus
    Ouverture
    Sarabande
    Prélude et Musette
    Air des Silvains
    Tambourins I & II
    Gigue
    Passacaille

    1697-1764
  • Jean-Joseph Cassanéa de Mondonville

    Suite de Les Fêtes de Paphos
    Ouverture
    Muzette pour les bergers
    Menuets I & II
    Air pour la suite de Vénus
    Tonnerre
    Rondeau - Chaconne
    Prélude et Air pour Vénus
    Prélude pour la suite de l’Inconstance
    Tambourin 

    1711-1772

Musicians

  • Kristen Huebner, Tiziano Teodori flute
  • Beto Caserio, Robert de Bree oboe
  • Elise Dupont, Ivan Illiev, Anna Lester, Noyuri Hazama, Andrew Wong violin
  • Hilla Heller, Sakura Goto violin, viola
  • Anne-Linde Visser, Petr Hamouz, Evan Buttar cello
  • Alon Portal double bass
  • Marit Darlang bassoon
  • Marianna Soroka percussion
  • João Rival harpsichord and musical direction

About the performers

The young ensemble Le Concert d’Apollon focuses on seventeenth and eighteenth-century French orchestral repertoire of which of no complete editions exist. Le Concert d’Apollon is conducted by harpsichordist João Rival, who is conducting doctoral research into the analytical reconstruction of this repertoire. Depending on the project, the number of musicians taking part varies from fifteen to thirty-five.

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