LS 2022 FOM02 Nevermind © Concertomedia
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About this concert

Luxurious armchairs, coquettish tabourets, commodes with curled legs: Regency style combines spirit with refinement, natural motifs with exotic materials and classical techniques with new decorative arts. The music of Quentin and Guillemain also excels in originality and grace. The young chamber music stars of Nevermind hand the floor over to these pioneers who spice up French finesse with a generous helping of Italian flair.

Programme

  • Jean-Baptiste Quentin

    Concerto à quatre parties, Op. 12
    Largo

    Quatuor, sonata III, Op. 15
    Allegro
    Adagio
    Première & seconde Aria
    Presto

    fl. c1718-1750
  • Louis-Gabriel Guillemain

    Sonata III
    Allegro moderato
    Larghetto
    Aria
    Allegro
    (from: Premier livre de sonates en quatuors, 1743)

    1705-1770
  • Jean-Baptiste Quentin

    Sonata IV à quatre parties, Op. 8
    Largo
    Allegro
    Gavotta, tendrement
    Allegro

    Sonata V, Op. 10
    Adagio
    Allegro
    Première & seconde Aria
    Vivement

Musicians

  • Anna Besson flute
  • Louis Creac'h violin
  • Robin Pharo viola da gamba
  • Jean Rondeau harpsichord

About the performers

The love of seventeenth- and eighteenth-century music from all corners of the world brought Anna Besson (flute), Louis Creac'h (violin), Robin Pharo (viola da gamba) and Jean Rondeau (harpsichord) together in 2013 in Nevermind. One year later the ensemble won both third prize and the audience prize at the International Van Wassenaer Competition. The foursome has released three CDs to date, devoted respectively to Guillemain/Quentin, Telemann and Carl Philipp Emanuel Bach.