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About this concert
It took a whole lot of searching, experimentation and guesswork, but the result is worth it: thanks to Marc Mauillon and his trio of top instrumentalists the music of Michel Lambert, which has puzzled musicologists for decades, is given a new lease of life. In this second concert of his Leçons de ténèbres, vocal virtuosity becomes a source of mindfulness.
Programme
-
Michel Lambert
Première Leçon du Jeudi Saint
ca. 1610-1696 -
Plainchant
Répons: Omnes amici mei
Verset: Inter iniquos -
Etienne Lemoyne
Prélude
fl. 1680-1723 -
Michel Lambert
Deuxième Leçon du Jeudi Saint
-
Plainchant
Répons: Velum templi scissum est
Verset: Petrae scissae sunt -
Johann Jakob Froberger
Sarabande in F major
1616-1667 -
Michel Lambert
Troisième Leçon du Jeudi Saint
-
Plainchant
Répons: Vinea mea electa
Verset: Sepivi te -
Sainte-Colombe
Chaconne
ca. 1640-1700 -
Ennemond Gaultier
Tombeau de Mezangeau
1575-1651
Musicians
- Marc Mauillon voice
- Myriam Rignol viola da gamba
- Thibaut Roussel theorbo
- Marouan Mankar-Bennis harpsichord, organ
About the performers
Exploring the relationship between words and music is at the heart of Marc Mauillon's artistic approach. Further characteristics are the ability to sing both baritone and tenor parts, a recognisable timbre and a feeling for colour and diction - all combined with an insatiable curiosity. His repertoire ranges from the Middle Ages to the present, from lieder to opera.
Myriam Rignol studied viola da gamba with Rainer Zipperling, Wieland Kuijken, Jordi Savall and Philippe Pierlot, among others. She is a member of Les Arts Florissants, the Ensemble Pygmalion and the Ricercar Consort; in addition, she collaborates with various other ensembles or orchestras, such as Le Poème Harmonique, a nocte temporis and Ensemble Correspondances. She is a conservatoire teacher in Besançon and Lyon.
After studying classical guitar and sound engineering, Thibaut Roussel decided to specialise in early music. He went on to study lute, theorbo and Baroque guitar. Fascinated with the French musical heritage of the seventeenth and eighteenth centuries, nowadays he concerns himself above all with the rediscovery of forgotten composers. He can regularly be found on stage with leading Baroque ensembles, such as Ensemble Pygmalion, Ensemble Correspondances and La Rêveuse.
Harpsichordist and choral conductor Marouan Mankar-Bennis studied with Blandine Rannou, Olivier Baumont and Bob van Asperen, among others. He is particularly active with the ensemble Le Poème Harmonique conducted by Vincent Dumestre. As a soloist he performs on the harpsichord, clavichord and fortepiano. In 2017, he founded his own ensemble, La Lyre d'Orphée.