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About this concert
In this lecture-recital, Menno van Delft and Artem Belogurov navigate their way through the fascinating eighteenth-century keyboard spectrum, in which the search for expressivity led to the building of innovative instruments. Clavichord and tangent piano stand as brothers next to unique instruments such as the clavecin royal and a Silbermann fortepiano as Bach may well have known it.
Programme
-
Christoph Nichelmann / Carl Heinrich Graun
Sinfonia for strings in F major
Allegro1717–1762 / 1704–1759 -
Wilhelm Friedemann Bach
Concerto for two keyboard instruments in E-flat major, Falck 46
Cantabile in C minor1710–1784 -
Johann Gottfried Müthel
Duet for two keyboard instruments in E-flat major
Allegretto1728–1788 -
Carl Philipp Emanuel Bach
Rondo II in C minor, Wq 59/4
1714–1788 -
Johann Sebastian Bach
Prelude in B major
(from: Das Wohltemperierte Klavier I, BWV 866)1685-1750 -
Carl Friedrich Christian Fasch
Allegro ‘La Hagenmeister’
(from: Sonate in G major (Collection récréative, 1761))1736-1800 -
Johann Philipp Kirnberger
Fuga in D minor, EngK 31
-
Carl Philipp Emanuel Bach
Sonate in G minor, Wq 51/6
Allegro di molto -
Carl Philipp Emanuel Bach
Rondo II in E major, Wq 58/3
(from: Clavier-Sonaten für Kenner und Liebhaber IV, 1783) -
Johann Abraham Peter Schulz
Allegretto in A minor
(from: Six Diverses Pièces, op. 1)1747-1800 -
Carl Philipp Emanuel Bach
Sonate in G minor, Wq 51/6
Poco adagio – Allegretto -
Johann Sebastian Bach
Adagio ovvero Largo
(from: Concerto for two keyboard instruments in C major, BWV 1061) -
Wilhelm Friedemann Bach
Concerto a due cembali concertati, Falck 10
Presto -
Georg Wilhelm Wolf
Sonate für Liebhaber in F major
Larghetto e lagrimoso
Musicians
- Artem Belogurov, Menno van Delft tangentenflügel, fortepiano, harpsichord, clavecin royal, clavichord
About the performers
Whether we’re talking modern concert piano, harpsichord, clavichord or various types of historical pianos: Artem Belogurov feels at home with it. He was born in Latvia, grew up in Ukraine and has lived in Amsterdam since 2014. He is active as a soloist, with his duo partner cellist Octavie Dostaler-Lalonde and as a member of the ensemble Postscript. In the Netherlands he has performed in the Utrecht Early Music Festival and Wonderfeel Festival, among other venues.
Menno van Delft studied organ with Piet Kee and Jacques van Oortmerssen, harpsichord with Anneke Uittenbosch, Gustav Leonhardt and Bob van Asperen, and musicology at Utrecht University. He teaches harpsichord, clavichord and basso continuo at the conservatories of Amsterdam and Hamburg. In 2018 he was one of the founders of MouseEar, a small, nomadic concert organisation that organises concerts around historical keyboard instruments, in various places in and outside Amsterdam.