202201. Artem Belogurov & Menno Van Delft © Marieke Wijntjes
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About this concert

In this lecture-recital, Menno van Delft and Artem Belogurov navigate their way through the fascinating eighteenth-century keyboard spectrum, in which the search for expressivity led to the building of innovative instruments. Clavichord and tangent piano stand as brothers next to unique instruments such as the clavecin royal and a Silbermann fortepiano as Bach may well have known it.

Programme

  • Christoph Nichelmann / Carl Heinrich Graun

    Sinfonia for strings in F major
    Allegro

    1717–1762 / 1704–1759
  • Wilhelm Friedemann Bach

    Concerto for two keyboard instruments in E-flat major, Falck 46
    Cantabile in C minor

    1710–1784
  • Johann Gottfried Müthel

    Duet for two keyboard instruments in E-flat major
    Allegretto

    1728–1788
  • Carl Philipp Emanuel Bach

    Rondo II in C minor, Wq 59/4

    1714–1788
  • Johann Sebastian Bach

    Prelude in B major
    (from: Das Wohltemperierte Klavier I, BWV 866)

    1685-1750​
  • Carl Friedrich Christian Fasch

    Allegro ‘La Hagenmeister’
    (from: Sonate in G major (Collection récréative, 1761))

    1736-1800
  • Johann Philipp Kirnberger

    Fuga in D minor, EngK 31

  • Carl Philipp Emanuel Bach

    Sonate in G minor, Wq 51/6
    Allegro di molto

  • Carl Philipp Emanuel Bach

    Rondo II in E major, Wq 58/3
    (from: Clavier-Sonaten für Kenner und Liebhaber IV, 1783)

  • Johann Abraham Peter Schulz

    Allegretto in A minor
    (from: Six Diverses Pièces, op. 1)

    1747-1800
  • Carl Philipp Emanuel Bach

    Sonate in G minor, Wq 51/6
    Poco adagio – Allegretto

  • Johann Sebastian Bach

    Adagio ovvero Largo
    (from: Concerto for two keyboard instruments in C major, BWV 1061)

  • Wilhelm Friedemann Bach

    Concerto a due cembali concertati, Falck 10
    Presto

  • Georg Wilhelm Wolf

    Sonate für Liebhaber in F major
    Larghetto e lagrimoso

Musicians

  • Artem Belogurov, Menno van Delft tangentenflügel, fortepiano, harpsichord, clavecin royal, clavichord

About the performers

Whether we’re talking modern concert piano, harpsichord, clavichord or various types of historical pianos: Artem Belogurov feels at home with it. He was born in Latvia, grew up in Ukraine and has lived in Amsterdam since 2014. He is active as a soloist, with his duo partner cellist Octavie Dostaler-Lalonde and as a member of the ensemble Postscript. In the Netherlands he has performed in the Utrecht Early Music Festival and Wonderfeel Festival, among other venues. 

Menno van Delft studied organ with Piet Kee and Jacques van Oortmerssen, harpsichord with Anneke Uittenbosch, Gustav Leonhardt and Bob van Asperen, and musicology at  Utrecht University. He teaches harpsichord, clavichord and basso continuo at the conservatories of Amsterdam and Hamburg. In 2018 he was one of the founders of MouseEar, a small, nomadic concert organisation that organises concerts around historical keyboard instruments, in various places in and outside Amsterdam.