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About this concert
Whether you like early music, traditional Celtic songs or folk metal, the hurdy-gurdy has a unique sound that immediately transports you to distant horizons. In her search for the most virtuoso and fashionable hurdy-gurdy repertoire of the eighteenth century, Tobie Miller came across idyllic soundscapes of French origin, which she revives together with her Ensemble Danguy.
Programme
-
Jacques-Christophe Naudot
Deuxième sonate
Gracieusement
Légèrement
Air en rondeau I & II
Menuet I & II
Gigue I & II
(from: Six sonates et une caprice en trio, oeuvre VII)1690-1762 -
M. Ravet
Première sonate ‘La Champêtre’
Tendrement
Modérément
Menuet I & II
Tambourin I & II
(from: Sonates pour la vielle, oeuvre II)
Deuxième duo de vielle et violon
Affectueusement
Badine
Vivement
Tambourin I & II
(from: Sonates pour la vielle, oeuvre II)fl. 1750 -
Antoine [le père] Forqueray
Troisième suite
Chaconne - La Morangis ou La Plissay (mouvement de chaconne)
(from: Pièces de viole, 1747)1672-1745 -
Jean-Baptiste Dupuits
Sonata in G minor Op. 1 nr. 6
Largo
Allegro en Rondeau
Tambourin I & II
Capricefl. 1741-1757 -
Michel Corrette
La Furstemberg
(from: La belle vielleuse, 1783)1707-1795
Musicians
- Ellie Nimeroski violin
- Caroline Ritchie viola da gamba
- N.N. harpsichord
- Tobie Miller hurdy-gurdy and musical direction
About the performers
The Swiss Ensemble Danguy specialises in music in which the hurdy-gurdy plays an important role. The leader of the ensemble, Tobie Miller, is one of the few players who got to know this instrument through early music: its origin was in folk music and it is related to the bagpipes and the Swedish nyckelharpa. The ensemble is named after the most famous hurdy-gurdy player of the eighteenth century, known to us only as L'illustre Danguy.