202204. Ensemble Danguy De Galante Draailier © Concertomedia
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About this concert

Whether you like early music, traditional Celtic songs or folk metal, the hurdy-gurdy has a unique sound that immediately transports you to distant horizons. In her search for the most virtuoso and fashionable hurdy-gurdy repertoire of the eighteenth century, Tobie Miller came across idyllic soundscapes of French origin, which she revives together with her Ensemble Danguy.

Programme

  • Jacques-Christophe Naudot

    Deuxième sonate
    Gracieusement
    Légèrement
    Air en rondeau I & II
    Menuet I & II
    Gigue I & II

    (from: Six sonates et une caprice en trio, oeuvre VII)

    1690-1762
  • M. Ravet

    Première sonate ‘La Champêtre’
    Tendrement
    Modérément
    Menuet I & II
    Tambourin I & II

    (from: Sonates pour la vielle, oeuvre II) 

    Deuxième duo de vielle et violon
    Affectueusement
    Badine
    Vivement
    Tambourin I & II
     
    (from: Sonates pour la vielle, oeuvre II)

    fl. 1750
  • Antoine [le père] Forqueray

    Troisième suite
    Chaconne - La Morangis ou La Plissay (mouvement de chaconne) 
    (from: Pièces de viole, 1747)

    1672-1745
  • Jean-Baptiste Dupuits

    Sonata in G minor Op. 1 nr. 6
    Largo
    Allegro en Rondeau
    Tambourin I & II
    Caprice

    fl. 1741-1757
  • Michel Corrette

    La Furstemberg
    (from: La belle vielleuse, 1783)

    1707-1795

Musicians

  • Ellie Nimeroski violin
  • Caroline Ritchie viola da gamba
  • N.N. harpsichord
  • Tobie Miller hurdy-gurdy and musical direction

About the performers

The Swiss Ensemble Danguy specialises in music in which the hurdy-gurdy plays an important role. The leader of the ensemble, Tobie Miller, is one of the few players who got to know this instrument through early music: its origin was in folk music and it is related to the bagpipes and the Swedish nyckelharpa. The ensemble is named after the most famous hurdy-gurdy player of the eighteenth century, known to us only as L'illustre Danguy.