202208. Artem Belogurov, Octavie Dostaler Lalonde & Victor García García © Concertomedia
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About this concert

How glad we are to see them back: Artem Belogurov on fortepiano and Octavie Dostaler-Lalonde and Victor García García on cello. With chamber music by two generations of composers, they bring into focus the heart of German Empfindsamkeit. In a four-part set of sonatas, éminences grises Christoph Schaffrath and Franz Benda feature alongside youngsters Anton Fils and Johann Christoph Friedrich Bach.

Programme

  • Franz Benda

    Sonata in D major for cello and basso continuo 
    Andante
    Allegro
    Allegretto

    1709-1786
  • Christoph Schaffrath

    Sonata a Due per il cembalo overo luto e violoncello in C major
    Allegretto
    Adagio
    Allegro

    1709-1763
  • Johann Christoph Friedrich Bach

    Sonata for cello and fortepiano in A major
    Allegro
    Larghetto
    Rondo. Allegretto

    1732-1795
  • Anton Fils

    Sonate for cello and basso continuo Op. 5 no. 1 in A major 
    Allegro moderato
    Adagio
    Allegro

    Harpsichord: built by Gerard Tuinman (2019) commissioned by the Nationaal Muziekinstrumenten Fonds (NMF), copy of a J. A. Stein with two double manuals (1783). The instrument belongs to the collection Willem G. Vogelaar and has been loaned to Artem Belogurov by the NMF.

    1733-1760

Musicians

  • Octavie Dostaler-Lalonde, Victor García García cello
  • Artem Belogurov fortepiano

About the performers

Whether we’re talking modern concert piano, harpsichord, clavichord or various types of historical pianos: Artem Belogurov feels at home with it. He was born in Latvia, grew up in Ukraine and has lived in Amsterdam since 2014. He is active as a soloist, with his duo partner cellist Octavie Dostaler-Lalonde and as a member of the ensemble Postscript. In the Netherlands he has performed in the Utrecht Early Music Festival and Wonderfeel Festival, among other venues. 

Canadian cellist Octavie Dostaler-Lalonde performs as a soloist, in chamber music groups, and with larger ensembles. In the Netherlands she has performed at the Utrecht Early Music Festival, the Grachtenfestival and MuziekHaven. She is also a member of the Postscript ensemble, which performed at last year's Festival. She sets great store by research, and she enjoys applying new discoveries in her own musical practice.