Eva Saladin, Georg Fritz, Sonoko Asabuki & Daniel Rosin
The early oboe quartet
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Recorded live at TivoliVredenburg / Hertz, Utrecht, 2 September 2022
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About this concert
It is a historical phenomenon: brilliant ideas often take root in different places at the same time. For example, in the eighteenth century chamber music for four flourished in different countries in parallel with each other. With one foot in the Baroque trio sonata and the other in concerto literature, Eva Saladin and her fellow musicians follow the development of the oboe quartet on the basis of works by Albrechtsberger, Johann Christian Bach and Boccherini.
Programme
-
Johann Gottlieb Janitsch
Quatuor no. 3
Largo - Allegro - Vivace Assai1708-ca. 1763 -
Luigi Boccherini
Trio in F major Op. 14 no. 6, G. 100
Larghetto - Allegro - Rondeau con molto1743-1805 -
Johann Melchior Molter
Sonata à quadro MWV 9.19
[Allegro] - [Siciliana] - [Vivace]1696-1765 -
Johann Georg Albrechtsberger
Duo for violin and cello no. 6
Adagio - Allegro1736-1809 -
Johann Christian Bach
Quartetto Op. 8 no. 5
Andante - Minuetto1735-1782
Musicians
- Georg Fritz oboe
- Eva Saladin violin
- Sonoko Asabuki viola
- Daniel Rosin cello
About the performers
Georg Fritz received his musical training on the oboe and recorder in Salzburg, Linz, Amsterdam and Bremen. He performs all over the world, playing Baroque, Classical and Romantic instruments. In addition to his concert practice, he is involved in researching and building copies of historical oboes and recorders. As a teacher at the University of Music and Performing Arts in Graz, he passes on his knowledge of and fascination with historical performance practice.
Violinist Eva Saladin immerses herself in and experiments with historical playing techniques and styles, as well as ornamentation and improvisation. She is a member of the Amsterdam ensemble Odyssee and is co-concertmaster of La Cetra Barockorchester Basel and Gli Angeli Geneva. She also plays with ensembles such as Il Profondo and Profeti della Quinta. In 2021 she was artist in residence at the Utrecht Early Music Festival.
Sonoko Asabuki studied viola in Tokyo and Freiburg, followed by Baroque violin with Chiara Banchini, Leila Schayegh and Amandine Beyer at the Schola Cantorum Basiliensis. At present she works from Basel as a freelance Baroque violinist and viola player, both as a soloist and in many different chamber music and orchestral formations. In 2020, her first solo CD appeared with works for violin by Giovanni Buonaventura Viviani.
After studying modern cello, Daniel Rosin went on to specialise in historical performance practice at the Schola Cantorum Basiliensis, with Christophe Coin, among others. He has a penchant for playing live concerts, in which the interplay of all those present can be elevated to an art form at the right moment. As a teacher and researcher, he also devotes himself to gathering and preserving knowledge of early music culture.