Dialogos
La belle époque... Médiévale
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Recorded live at TivoliVredenburg / Cloud Nine, Utrecht, 3 September 2022
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About this concert
In this musical evocation of a Parisian salon, singer Katarina Livljanić and pianist Danijel Detoni view the Middle Ages through the eyes of the belle époque. The central figure is the chanteuse Yvette Guilbert (1865-1944), who performed medieval songs in Parisian cafés. The sometimes frivolous, sometimes sensual music selection leads from Satie and Debussy to the wings of the famous Montmartre cabaret Le Chat Noir.
Programme
-
Erik Satie
Ogive IV
1866-1925 -
Guiraut Riquier
Jesu Christ filh de Dieu viu
ca. 1230-ca. 1300 -
Yvette Guilbert
Jesus Christ
(from: Chanteries du Moyen Age, Parijs 1926)
La passion du doux Jésus
(from: Chansons de la vieille France, Parijs 1907)1865-1944 -
Erik Satie
Rêveries de l’enfance de Pantagruel
Chanson médiévale -
Claude Debussy
Ondine
(from: Préludes, deuxième livre, 1911-1912)
La flûte de Pan
La chevelure
(from: Trois chansons de Bilitis, 1897-1898)
Général Lavine
(from: Préludes, deuxième livre)1862-1918 -
Erik Satie
Tendrement
Je te veux
Les courses
(from: Sports et divertissements, Paris 1914)
Le diner à l'Elysée
Chez le docteur
Le tango
(from: Sports et divertissements) -
J.A. Vignix
Eloge des vieux
? -
Maurice Donnay
Les vieux messieurs
1859-1945 -
Erik Satie
Le feu d’artifice
(from: Sports et divertissements)
Allons-y, chochotte
La journée du musicien -
Yvette Guilbert
Madame Arthur
Musicians
- Katarina Livljanić voice and musical direction
- Danijel Detoni piano
About the performers
Directed by Katarina Livljanić, the vocal ensemble Dialogos has revealed itself to be one of the most outstanding and original medieval music ensembles of the new generation. Since 1997, the ensemble brings together singers and instrumentalists from different backgrounds and countries to revive European oral and written traditions, from the Middle Ages to the present day. It combines new musicological research with an innovative approach, which lends the repertoire a theatrical and expressive dimension. Dialogos has a particular interest for repertoires from the southern Slavic world and seeks to reveal the timeless beauty of stories that have crossed the centuries.
Croatian singer Katarina Livljanić is one of the foremost specialists in the field of the medieval song and plainchant performance. She studied singing and musicology in France. With her ensemble Dialogos she has created many different productions based around medieval chant and liturgical theatre, which have earned her international renown.