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About this concert
Although the opulent mass repertoire forged around L'homme armé suggests that all of Europe knew 'the armed man', in Spain only three polyphonists worked with the melody. Cristóbal de Morales immediately did so twice. Officium Ensemble presents his five-part mass (1540) alongside a selection of the best of what the Iberian Renaissance has to offer.
Programme
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Cristóbal de Morales
Missa L’homme armé
Kyrie
Gloriaca. 1500-1553 -
Alonso Lobo
O quam suavis est, Domine
1555-1617 -
Cristóbal de Morales
Missa L’homme armé
Credo -
Estêvão de Brito
Sancta Maria, succurre
ca. 1575-1641 -
Cristóbal de Morales
Missa L’homme armé
Sanctus
Agnus Dei -
Duarte Lobo
Audivi vocem
1564/9-1646 -
Manuel Cardoso
Sitivit anima mea
1566-1650 -
Filipe de Magalhães
Commissa mea
ca. 1571-1652 -
Tomás Luis de Victoria
Vidi speciosam
1548-1611 -
Francisco Guerrero
Regina caeli laetare
1528-1599
Musicians
- Ariana Russo, Inês Lopes, Mariana Moldão, Isabel Cruz Fernadez soprano
- Fátima Nunes, Joana Esteves, Laura Lopes, Rita Tavares alto
- João Barros, Gerson Coelho, Simão Andrade tenor
- João Costa, Pedro Casanova, Rui Borras bass
- Pedro Teixeira musical direction
About the performers
The Officium Ensemble is one of the most prominent Portuguese vocal ensembles in the field of early music. The repertoire of Officium, under the artistic direction of Pedro Teixeira, comprises mainly Portuguese Renaissance polyphony. The ensemble is internationally acclaimed for its lively and expressive performances, with their great attention to text expression and interpretation.