Capella de la Torre / Katharina Bäuml
Reciclando
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Recorded live at the Jacobikerk, Utrecht, 28 August 2023
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About this concert
From bud to flower to fluttering leaf: the self-renewing cycle to which nature submits year after year is perhaps the most ingenious form of recycling. With adaptations and processing of borrowed material by Palestrina, Ortiz, Cabezón and contemporaries, Capella de la Torre demonstrates how Renaissance composers also forged their future music from remnants of the past.
Programme
-
Anonymous
Dadme albricias
16th century -
Autumn
-
Diego Ortiz
Recercada primera sobre la Bergamasca
ca. 1510-ca. 1570 -
Anonymous
Pase el agoa
(from: Cancionero de Palacio, Spain late 15th/early 16th century)15th/16th century -
Anonymous
Tres morillas m’enamoran
L’amor, dona ch’io te porto
Dolce amoroso focho
(from: Cancionero de Palacio)15th/16th century -
Juan de Anchieta
Con amores mi madre
1462-1523 -
Winter
-
Giovanni Pierluigi da Palestrina
O Domine Jesu Christe
(from: Codex Lerma, Spain ca. 1600)1525/26-1594 -
Anonymous
Canto del Caballero
16th century -
Antonio de Cabezón
Tiento del Caballero
ca. 1510-1566 -
Spring
-
Thoinot Arbeau
Belle qui tiens ma vie
1520-1595 -
Antonio de Cabezón
Tiento sobra la Dama la demanda
-
Lucas Ruiz de Ribayaz
Chacona
before 1650-? -
Summer
-
Anonymous
So ell enzina enzina
Cucú, cucú
(from: Cancionero de Palacio)15th/16th century -
Juan del Encina
Amor con fortuna
1468-1529/30 -
Juan Arañés
Un sarao de la ciaconna
?-in or after 1649 -
Encore
-
Francisco de Soto
Nell’apparir del sempiterno sole
ca. 1500-1563
Musicians
- Margaret Hunter soprano
- Hildegard Wippermann alto shawm
- Regina Hahnke dulcian
- Yosuke Kurihara sackbut
- Mike Turnbull percussion
- Johannes Vogt lute
- Martina Fiedler organ
- Katharina Bäuml shawm and musical direction
About the performers
Capella de la Torre, Katherina Bäuml’s alta cappella, is one of the most prominent wind ensembles of our day. The name is an homage to the Spanish composer Francisco de la Torre, but also has a literal meaning: ‘de la torre’ means ‘from the tower’ – a reference to the groups of wind players who played from towers and balconies on official occasions. As well as Spanish music, the ensemble plays repertoire of the fourteenth to the seventeenth centuries from every corner of Europe.