Corina Marti

Keynotes

202340 Corina Marti © Concertomedia View trailer
202340 Corina Marti © Concertomedia
previewVideoImage?.Name
Available {{ toDateTime(item.earliestViewableStart, 'en-GB') }}
previewVideoImage?.Name

You don't have access to this concert.

Available {{ toDateTime(item.earliestViewableStart, 'en-GB') }}

The concert is no longer available.

Buy now Subscribe | Log in Subscribe Upgrade

About this concert

Long before Bach, Beethoven and Chopin, there was already a host of keyboard genres and instrument types available. Corina Marti has been delving into this early repertoire for decades and is a driving force behind the revival of the clavicimbalum, ancestor of both the harpsichord and pianoforte. Marti gets to work on two mechanisms in music by Dufay, da Firenze, de Grudencz and other (anonymous) masters.

Programme

  • Anonymous

    Kyrie
    (from: Codex Faenza, Italy 15th century)

    15th century
  • Giovanni da Firenze

    Per larghi prati

    1270-1350
  • Anonymous

    Benedicamus domino
    (from: Codex Faenza)

    ***

    15th century
  • Anonymous

    Praeambulum in re
    (from: Buxheimer Orgelbuch, Germany 2nd half 15th century)

    15th century
  • Anonymous

    Verlangen tut mich krencken
    (from: Lochamer-Liederbuch, Neurenberg ca. 1452-1460)

    15th century
  • Anonymous

    Redeuntes in la
    (from: Buxheimer Orgelbuch)

    15th century
  • Anonymous

    Ich sachs eins mals dem lichten morgensterne
    (from: Glogauer Liederbuch, Poland ca. 1480)

    ***

    15th century
  • after Bartolino da Padova

    In perial sedendo

    fl. ca.1365-1405
  • Petrus Wilhelmi de Grudencz

    Bohi svému (= Phonicorum ethicorum)

    ca.1400-ca. 1480
  • Anonymous

    Ja falla
    (from: manuscript CZ-Pu MS XI.E.9, France early 15th century)

    15th century
  • Petrus Wilhelmi de Grudencz

    Iacob scalam – Pax eterna – Terribilis
    (from: Buxheimer Orgelbuch)
    Redeuntes in C

    ***

  • after Guillaume Dufay

    Se la phase pale

    ***

    1397-1474
  • Francesco Landini

    Amor c’al tuo sugetto

    ca. 1325/35-1397
  • Anonymous

    [Hic est precursor]
    (from: Codex Faenza)

    15th century
  • Anonymous

    Benedicamus [domino]
    (from: Codex Panciatichiano, Italy late 14th/early 15th century)

    late 14th/early 15th century
  • Anonymous

    Amen
    (from: Codex Faenza)

    Instruments: 
    Andreas Hermert (2010), clavicymbalum with plucked mechanism
    Grebor Bergmann (2021), clavicymbalum with hammered mechanism

    15th century

Musicians

  • Corina Marti clavicimbalum

About the performer

Corina Marti specialises in flutes from the Middle Ages, Renaissance and Baroque periods, and early keyboard instruments such as clavicimbalum and clavicytherium. She teaches at the Schola Cantorum Basiliensis and shares the leadership of ensemble La Morra with Michal Gondko. Her extensive discography ranges from fourteenth-century intabulations to chamber music and solo concertos from the Baroque period, reflecting the breadth of her musical interests and technical skills.

Might we suggest...

Catalogus
Catalogus