202341 Pluto Ensemble & Hathor Consort © Concertomedia
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About this concert

John Cooper is the name. But you may call him Giovanni Coprario. In London around 1600, he moved around aristocratic circles as a gambist and music teacher. But Coprario is remembered mainly for his fantasias based on Italian songs from the Renaissance and early Baroque periods. Five singers and as many instrumentalists seek reflections of Marenzio, Pallavicino, Anerio, Monteverdi and Vecchi in Coprario's instrumental madrigals.

Programme

  • Benedetto Pallavicino

    Cor mio

    ca. 1551-1601
  • John Ward

    Cor mio

    ca. 1589-1638
  • Luca Marenzio

    O voi che sospirate a miglior note
    (from: Il secondo libro de madrigali a cinque voci, Venice 1581)

    1553/1554-1599
  • John Coprario

    Fantasia no. 48 (‘O voi che sospirate’) instrumental

    ca. 1570/80-1626
  • Luca Marenzio

    Crudel perchè mi fuggi
    (from: Il quarto libro de madrigali a sei voci, Venice 1587)

  • John Coprario

    Crudel perchè mi fuggi instrumental

  • Claudio Monteverdi

    La tra ‘l sangu’ e le morte
    (from: Il terzo libro de madrigali a cinque voci, Venice 1592)

    1567-1643
  • Richard Mico

    Fantasia Latral: parte seconda instrumental

    ca. 1590-1661
  • Felice Anerio

    Caggia fuoco dal cielo
    (from: Canzonette libro primo, Venice 1586)

    ca. 1560-1614
  • Thomas Morley

    La Caccia
    (from: The First Booke of Canzonets to Two Voyces, 1595)

    1557/1558-1602
  • John Coprario

    Caggia instrumental 

  • Giulio Eremita

    Fuggi, se sai fuggire

    ca. 1550-ca. 1600
  • John Coprario

    Fuggi se sai instrumental

  • Orazio Vecchi

    Gitene, ninfe
    (from: Selva di varia ricreatione, Venice 1590

    1550-1605
  • John Coprario

    Fantasia no. 34 (‘Gittene, ninfe’) instrumental

  • Thomas Lupo

    Fantasia (‘O che vezzosa’) instrumental

    1571- 1627
  • Orazio Vecchi

    O che vezzosa aurora
    (from: Madrigali libro primo, Venice 1583)

  • John Coprario

    Sospirando instrumental
    Udite lacrimosi spirti

Musicians

  • Pluto-ensemble
  • Hannah Morrison, Michaela Riener soprano
  • Charles Daniels tenor
  • Harry van der Kamp bass
  • Marnix De Cat countertenor and musical direction
  • Hathor Consort
  • Elizabeth Rumsey discant gamba
  • Joshua Cheatham alto gamba
  • Thomas Baeté tenor gamba
  • Irene Klein bass gampa
  • Nicholas Milne consort bass
  • Romina Lischka discant gamba and musical direction

About the performers

The Pluto-Ensemble is a vocal collective with varying line-ups, directed by countertenor Marnix De Cat. The ensemble is at home in different styles, from medieval to contemporary. It takes its name from the dwarf planet Pluto.

The Hathor Consort was founded in 2012 by Romina Lischka. Under her artistic direction, the consort devotes itself to Renaissance and Baroque music centred around the viola da gamba. At the same time, the group seeks new ways of expression in which this refined chamber music repertoire of European origin is combined in multidisciplinary and intercultural concert forms with early music from other continents and with contemporary music, world music and dance.