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About this concert
John Cooper is the name. But you may call him Giovanni Coprario. In London around 1600, he moved around aristocratic circles as a gambist and music teacher. But Coprario is remembered mainly for his fantasias based on Italian songs from the Renaissance and early Baroque periods. Five singers and as many instrumentalists seek reflections of Marenzio, Pallavicino, Anerio, Monteverdi and Vecchi in Coprario's instrumental madrigals.
Programme
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Benedetto Pallavicino
Cor mio
ca. 1551-1601 -
John Ward
Cor mio
ca. 1589-1638 -
Luca Marenzio
O voi che sospirate a miglior note
(from: Il secondo libro de madrigali a cinque voci, Venice 1581)1553/1554-1599 -
John Coprario
Fantasia no. 48 (‘O voi che sospirate’) instrumental
ca. 1570/80-1626 -
Luca Marenzio
Crudel perchè mi fuggi
(from: Il quarto libro de madrigali a sei voci, Venice 1587) -
John Coprario
Crudel perchè mi fuggi instrumental
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Claudio Monteverdi
La tra ‘l sangu’ e le morte
(from: Il terzo libro de madrigali a cinque voci, Venice 1592)1567-1643 -
Richard Mico
Fantasia Latral: parte seconda instrumental
ca. 1590-1661 -
Felice Anerio
Caggia fuoco dal cielo
(from: Canzonette libro primo, Venice 1586)ca. 1560-1614 -
Thomas Morley
La Caccia
(from: The First Booke of Canzonets to Two Voyces, 1595)1557/1558-1602 -
John Coprario
Caggia instrumental
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Giulio Eremita
Fuggi, se sai fuggire
ca. 1550-ca. 1600 -
John Coprario
Fuggi se sai instrumental
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Orazio Vecchi
Gitene, ninfe
(from: Selva di varia ricreatione, Venice 15901550-1605 -
John Coprario
Fantasia no. 34 (‘Gittene, ninfe’) instrumental
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Thomas Lupo
Fantasia (‘O che vezzosa’) instrumental
1571- 1627 -
Orazio Vecchi
O che vezzosa aurora
(from: Madrigali libro primo, Venice 1583) -
John Coprario
Sospirando instrumental
Udite lacrimosi spirti
Musicians
- Pluto-ensemble
- Hannah Morrison, Michaela Riener soprano
- Charles Daniels tenor
- Harry van der Kamp bass
- Marnix De Cat countertenor and musical direction
- Hathor Consort
- Elizabeth Rumsey discant gamba
- Joshua Cheatham alto gamba
- Thomas Baeté tenor gamba
- Irene Klein bass gampa
- Nicholas Milne consort bass
- Romina Lischka discant gamba and musical direction
About the performers
The Pluto-Ensemble is a vocal collective with varying line-ups, directed by countertenor Marnix De Cat. The ensemble is at home in different styles, from medieval to contemporary. It takes its name from the dwarf planet Pluto.
The Hathor Consort was founded in 2012 by Romina Lischka. Under her artistic direction, the consort devotes itself to Renaissance and Baroque music centred around the viola da gamba. At the same time, the group seeks new ways of expression in which this refined chamber music repertoire of European origin is combined in multidisciplinary and intercultural concert forms with early music from other continents and with contemporary music, world music and dance.