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About this concert
On the banks of the Guadalquivir stands Seville's pride: the Torre del Oro. The twelve-sided tower overlooks the harbour that for centuries was home to Spanish galleons which sailed to South America full of dreams and returned loaded with gold.
With theorbo, three star-soloists and a sublime instrumental cast, Christina Pluhar skips back and forth between the Old and the New World. The golden tower sparkles as usual thanks to the ground-breaking music of the Sevillian Alonso Mudarra. His Tres libros de música and cifra para vihuela houses vocal works that are among the oldest surviving solo songs with instrumental accompaniment. Where terra incognita is revealed, the Baroque beckons in Spanish and South American jácaras, fandangos, folías, canarios, ciacconas, joropos and pajarillos.
Programme
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Alonso Mudarra
Si me llaman
1510-1580 -
Alonso Mudarra / Santiago de Murcia / Traditional
Guardame la vacas / Los Impossibles / La Lloroncita
/ 1673-1739 / Mexico -
Traditional
Pizzica di San Vito
-
Anonymous
Jácara: No hay que decirle el primor
17th century -
Nicola Matteis / arr. Christina Pluhar / Improvisation
La Dia Spagnola Instrumental
1670?-1737 / 1965- -
Henry le Bailly / arr. Christina Pluhar
Yo soy la locura
?-1637 -
Traditional
Montilla
Zumba che zumba InstrumentalVenezuela -
Diego Pisador
Los Delfines
1509/10-1557 -
Traditional Mexico / arr. Christina Pluhar
La Llorona
-
Traditional Venezuela
Pájarillo
-
Improvisation
Canario Instrumental
-
Alonso Mudarra
Claros y frescos ríos
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Constantino Ramones
La embarazada del viento (Gaita Margariteña)
-
Traditional / arr. Luis Mariano Rivera
La Cocoroba
1906-2002 -
Alonso Mudarra
La mañana de Sant Juan
-
Santiago de Murcia
Fandango Instrumental
-
Traditional
La bruja
Mexico -
Juan Bautista Plaza
El Curruchá
1898-1965 -
Encore
-
Traditional
Montilla
Venezuela -
Traditional
Lucerito
Venezuela
Musicians
- Céline Scheen soprano
- Vincenzo Capezzuto alto
- Luciana Mancini mezzo-soprano
- L’Arpeggiata
- Doron Sherwin cornetto
- Jorge Jimenez violin
- Josep Maria Marti Duran theorbo, baroque guitar
- Carlotte Pupulin harp
- Manon Papasergio viola da gamba, harp
- Sergey Saprychey percussion
- Leonardo Teruggi double bass
- Dani Espasa harpsichord, organ
- Leo Rondon cuatro
- Rafael Mejias maracas
- Christina Pluhar theorbo, dramaturgy, musical direction
About the performers
For each project with L’Arpeggiata, Christina Pluhar brings together a group of exceptional, often young, musicians. Since its foundation in 2000, the ensemble’s concerts and recordings have been warmly received by press and public alike. L’Arpeggiata often brings less familiar repertoire back into the limelight, focusing on French, Italian and Neapolitan music from the 17th century, in which improvisation plays a major role. L’Arpeggiata appears at all the major festivals in Europe and is a very welcome guest in Utrecht.
Christina Pluhar studied classical guitar, lute and harp in Basel, The Hague and Milan, where she studied with Paul O’Dette, Andrew Lawrence King and Jesper Christensen. She began her career in the basso continuo group of ensembles such as La Fenice, Hespèrion XXI, Les Musiciens du Louvre and Cantus Cölln. She directs her own ensemble L’Arpeggiata, which she founded in 2000, and which has produced many memorable concerts and recordings ever since.