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About this concert
Without his Libro de tientos, we might never have heard of Francisco Correa de Arauxo. However, this groundbreaking collection raises as many questions as it does answers. Where does Arauxo's knowledge of Franco-Flemish polyphony come from? Can folk influences also be heard? How did he achieve such virtuoso embellishment? And did he have any contact with musicians from the Arab-Andalusian tradition? InAlto and Bernard Foccroulle dig for the roots of Arauxo's creative process.
Programme
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Feast of the Immaculate Conception
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Alonso Lobo
Beata Dei Genitrix instrumental
1555-1617 -
Thomas Crecquillon
Magna et Mirabilia instrumental
ca.1505/15-1557 -
Francisco Correa de Arauxo
Canto Llano de la Inmaculada Concepcion
1584-1654 -
Francisco Correa de Arauxo
Tiento IX instrumental
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Josquin des Prez
Ave Maria
ca. 1450-1521 -
Francisco Correa de Arauxo
Tiento XIX instrumental
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Thomas Crecquillon
Par tous moyens instrumental
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Philippe Verdelot
Ultimi miei sospiri instrumental
***ca. 1480/85-1530/32 -
Feast of Corpus Christi
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Francisco Correa de Arauxo
Tiento V instrumental
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Francisco Guerrero / Juan de Urrede / Brico Gaudi
Pange Lingua
1528-1599 / fl. 1451-ca. 1482 / ?-ca. 1605 -
Francisco Correa de Arauxo
Tiento LII instrumental
Prosa del Santissimo Sacramento (Lauda Sion)
Musicians
- Alice Foccroulle soprano
- Vojtěch Semerád alto
- Vincent Lesage tenor
- Guillaume Olry bass
- Susanna Defendi, Guy Hanssen, Bart Vroomen trombone
- Jérémie Papasergio, Anaïs Ramage dulcian
- Bernard Foccroulle organ
- Lambert Colson artistic direction, cornetto
About the performers
InAlto is an international ensemble led by Lambert Colson and his instrument, the cornetto, which perhaps stands closest to the human voice of all instruments. With concerts all over Europe in major concert halls and festivals such as Concertgebouw Bruges, Flagey, Festival Musiq’3, Venetian Center for Baroque Music, Festival de Wallonie, Plantin Moretus Museum, and Theatre de Namur, InAlto is regarded as one of the foremost wind ensembles in Europe.