Yoann Moulin
Música ibérica II
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Recorded live at the Lutherse Kerk Utrecht, 25 August 2024
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About this concert
As a young man at the Spanish court, Antonio de Cabézon sampled Franco-Flemish counterpoint at the Capilla Flamenca as well as Italian repertoire at the Capilla Musicale, plus other European music in the monarch's travelling company. No wonder his keyboard oeuvre is a melting pot of ideas, genres and tastes! With works published by Cabézon's son Hernando and compositions by contemporaries Soto and Jiménez, Yoann Moulin pieces together a panoramic portrait.
Programme
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Antonio de Cabezón
Diferencias sobre el canto del caballero
Tiento del quinto tonoca. 1510-1566 -
José Ximénez
Batalla de sexto tono
1601-1672 -
Antonio de Cabezón
Duuiensela
Tiento del primer Tono
Diferencias sobre la pavana italiana
Diferencias sobre la gallarda milanesa
Beata viscera Mariae
Tiento del cuarto tono
Ancor che col partire -
Francisco Correa de Arauxo
Canto Ilano de la Immaculada concepcion
1584-1672 -
Antonio de Cabezón
Fabordón y glosas del primer tono llano
Dic nobis, Maria -
Hernando de Cabezón
Susana un jur
1541-1602 -
Antonio de Cabezón
Canción religiosa
-
Hernando de Cabezón
Dulce memoriae
-
Pedro de Soto
Otro versillo de sexto tono
?-1708 -
Antonio de Cabezón
Quien llamò al partir, partir
Musicians
- Yoann Moulin harpsichord
About the performers
When young Yoann Moulin was attending a French choir school, he discovered the harpsichord. Later, when he continued studying harpsichord at the conservatory in Paris, he also discovered the clavichord, the organ and improvisation, receiving lessons from greats such as Pierre Hantaï and Skip Sempé. Moulin accompanied musicians in renowned ensembles such as Les Arts Florissants, Le Concert Spirituel, and La Tempête, but he also gained recognition as a soloist. His first album, dedicated entirely to the composer Frescobaldi, received critical acclaim. Recently, he also started "Un Bande de Clavecins," an ensemble of harpsichordists interested in Renaissance music.