Euskal Barrokensemble
El amor brujo - revisited
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- Baroque
- Romantic period
- Vocal & instrumental
- More than music
- FOMU 2024
- Musical spectacle
- Spanish music
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Recorded live at TivoliVredenburg / Hertz, Utrecht, 26 August 2024
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About this concert
Enrike Solinís explores the musical sources used by Manuel de Falla for his ballet El amor brujo. The composer mixed the seguiriyas, soleares, polos, martinetes and zambras of the Andalusian Roma with the sound of the burgeoning flamenco scene: an effervescent cocktail of past and present. Euskal Barrokensemble mixes up works by De Falla, Francisco Tárrega and Joaquín Rodrigo with Renaissance dances and traditional music, bringing along a dazzling flamenco singer as well as Baroque instruments and Persian percussion.
Programme
-
Manuel de Falla / Dimitrie Cantemir
Escena Bestenigar
1876-1946 / 1673-1723 -
Traditional
Introduction: Seguiriya
-
Manuel de Falla
Pantomima
Canción del Amor Dolido -
Gaspar Sanz / Nicola Matteis / Traditional
Chaconna-Guajira
1640-1710 / 1670-1737 -
Luigi Boccherini
Fandango y verdiales
1743-1805 -
Giovanni Girolamo Kapsperger / Manuel de Falla
Pasacalle en círculo mágico
ca. 1580-1651 / -
Domenico Scarlatti
Sonate K32
1685-1757 -
Traditional Persian / Manuel de Falla
Koumiss del fuego fatuo
-
Gaspar Sanz
Canarios
-
Manuel de Falla
Danza ritual del fuego
-
Anonymous
Falalanlera
(from: Cancionero de Uppsala, Venice 1556)16th century -
Traditional
Taranta de la Siega
-
Federico García Lorca
Zorongo
1898-1936 -
Antonio de Santa Cruz / Manuel de Falla
Xácara del juego de amor
fl. 1700 -
Manuel de Falla
Las campanas del amanecer
Musicians
- María José Pérez cantaora (flamenco singer)
- María Moreno bailaora (flamenco dancer)
- Miren Zeberio violin
- Pablo Martín Caminero double bass
- Paquito González percussion
- Vicente Parrilla flute
- Elies Hernándis sackbut
- Enrike Solinís artistic direction, guitar, lute
About the performers
Euskal Barrokensemble, an early music group created in Bilbao in 2006, has managed to carve out a niche for itself in the international early music scene. The group's recognizable characteristics are its freshness and intimacy in interpretation, which provide significant room for improvisation and the reinterpretation of music from various periods. Thanks to this approach, Euskal Barrokensemble has garnered international critical acclaim, as well as a large and unconventional audience, infusing their live performances with vitality and significance.