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About this concert
For centuries, worship services in Seville Cathedral were accompanied not only by religious music but also by instrumental interludes, dance and 'juegos': a touch of musical theatre. Capella de la Torre found historical evidence in the cathedral records and performs Francisco de la Torre and Francisco Guerrero as 'Maestros de Capilla e de los Seises'. They become the protagonists in this hybrid Renaissance spectacle in which city musicians grant a dancing dimension to the liturgy.
Programme
-
Luys Milán
Prelude: Pavane instrumental
ca. 1500-ca. 1560 -
Francisco Guerrero
O celestial medicina
1528-1599 -
Gregoriaans / Francisco Guerrero
Pange Linqua / Tantum ergo
-
Matheo Flecha
La Girigonça
1481?-1553? -
Francisco de la Torre
Dime, triste coraçón
Danza Alta instrumentalfl. 1483-1504 -
Francisco Guerrero
O sacrum convivium (Corpus Christi) a 6
-
Tomás Luis de Victoria
Lausa Sion Salvatorem a 8
1548-1611 -
Anonymous
Danza por los seises a 6 instrumental
17th century -
Juan de Urreda
Pange lingua
fl. 1451-ca. 1482 -
Anonymous / Francisco de la Torre
Canarios / Pascua d’Espiritu santo (Corpus 1485)
-
Anonymous / Francisco Tejada
Marizápalos
/ ca. 1640 – ca. 1710 -
Francisco Guerrero
Missa In te Domine speravi
Agnus Dei -
Francisco Tejada
La Gitanilla / La Zambomba instrumental
-
Juan Vásquez
Gracias al cielo doy
ca. 1500-ca. 1560 -
Juan Aranes
Un sarao de la ciaconna
?-after 1649 -
Francisco de la Torre
Adoramoste, Señor
Musicians
- Margaret Hunter soprano
- Minsub Hong tenor
- Hans Wijers baritone
- Hildegard Wippermann, Eleonora Trivella alto pommer
- Regina Hahnk, Annette Hils bass dulcian
- Yosuke Kurihara trombone
- Mike Turnbull percussion
- Johannes Vogt lute
- Martina Fiedler organ
- Katharina Bäuml musical direction, shawm
About the performers
Capella de la Torre, Katherina Bäuml’s alta cappella, is one of the most prominent wind ensembles of our day. The name is an homage to the Spanish composer Francisco de la Torre, but also has a literal meaning: ‘de la torre’ means ‘from the tower’ – a reference to the groups of wind players who played from towers and balconies on official occasions. As well as Spanish music, the ensemble plays repertoire of the fourteenth to the seventeenth centuries from every corner of Europe.