202422. Arianna Radaelli Música Ibérica V © ConcertoMedia
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About this concert

Harpsichordist Arianna Radaelli embarks on a journey through the rich keyboard traditions of Spain and Italy. With beautiful tientos and diferencias by Antonio de Cabezón and Correa de Arauxo, the programme reflects the inventiveness of Spanish keyboard players from the Renaissance and Baroque periods. Cabanilles adds dance music, while Alessandro Scarlatti offers an Italian flair. A special encounter with the musical keyboard masters of the sixteenth and seventeenth centuries.

Programme

  • Antonio de Cabezón

    Tiento del quinto tono
    Diferencias sobre ‘El canto del Caballero’
    (from: Obras de música para tecla, arpa y vihuela, Madrid 1570)

    ca. 1510-1566
  • Francisco Correa de Arauxo

    Tiento de registro entero (LII)
    (from: Facultad organica, 1626)

    1584-1654
  • Juan Bautista José Cabanilles

    Gallardas de primer tono
    Passacalles de primer tono
    (from: Libro de obras de organo, Barcelona 1722)

    1644-1712
  • Alessandro Scarlatti

    Toccata per cembalo d’ottava stesa
    (from: MS 9478, Biblioteca del Conservatorio di Napoli, Naples)

    1660-1725

Musicians

  • Arianna Radaelli harpsichord

About the performer

Arianna Radaelli studied harpsichord with Francesco Corti and Andrea Marcon in Basel and orchestra conducting with Gilberto Serembe and recently won the XIX International Harpsichord Competition in Bologna. Radaelli teaches harpsichord and basso continuo at the HMDK Stuttgart and performs as soloist and continuo player with renowned ensembles and orchestras, including Il Pomo d’Oro, Ensemble Zefiro, Café Zimmermann and La Cetra Barockorchester. She was musical assistant in the staging of several Baroque operas at the Innsbruck Festival of Early Music and the International Händel Festival Göttingen. Her debut solo album with works by B. Galuppi will be released in 2025 by Arcana.