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About this concert
In the 18th century, Francisco Pérez Mirabal built the most beautiful harpsichords in Seville. Around that time, Francisco de Tejada compiled the first Spanish keyboard collection there and Seville became the home of Domenico Scarlatti. Francisco Correa de Arauxo was Seville's very own keyboard ‘pope’ and Antonio Soler the cathedral's brilliant organ consultant... Diego Ares leaves no stone unturned to unravel this love story between Seville and keyboard music.
Programme
-
Francisco Correa de Arauxo
Discurso de primer tono, FO 1
1584-1664 -
Sebastián Ramón de Albero
Recercata Prima in D minor
(from: Obras para Clavicordo o Piano Forte)1722-1756 -
Domenico Scarlatti
Sonate in D minor, K.141
Sonate in E-flat major, K.193
Sonate in G major, K.124
Allegro
Sonate in A major, K.208
Andante è cantabile
Sonate in A major, K.209
Allegro1685-1757 -
Francisco Correa de Arauxo
Discurso de segundo tono, FO 2
-
Antonio Soler
Sonate in D-flat minor, R.88
Allegro
Sonate in G minor, R.80
Allegretto
Sonate in G minor, R.81
Prestissimo
Sonate in B-flat minor, R.132
Cantabile - Andantino
Sonate in B-flat major
Allegro
(from: Villahermosa Manuscript)
Sonate in D minor, R.117
Allegretto1729-1783 -
Francisco Correa de Arauxo
Tiento de tercer tono, FO 3
-
José Iturbi
Pequeña danza Española
1895-1980
Musicians
- Diego Ares harpsichord
About the performer
Diego Ares is one of the most gifted harpsichordists of our time. He was fourteen when he discovered his love of the harpsichord, and four years later he moved from Spain to the Netherlands in order to study with Richard Egarr. He continued his studies at the Schola Cantorum in Basel, where he graduated summa cum laude. Diego Ares performs both as a soloist and with various ensembles, including the Nederlandse Bachvereniging. His CD recordings of music by Soler and Domenico Scarlatti and Bach’s Goldberg Variations have been extremely well received.