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About this concert
The 'cantare alla viola' – singing accompanied by the viola da gamba – was considered the most moving form of music in the 16th century. Céline Scheen and Philippe Pierlot venture to the crossroads of the Italian Renaissance and the English early Baroque in the work of Giulio Caccini, Tobias Hume, John Wilbye and their contemporaries. Pierlot's historical gambas form a direct bridge to the past, Scheen's impassioned soprano is the ideal instrument for improvised ornamentation today.
Programme
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Giulio Caccini
Dolcissimo sospiro
1551-1618 -
Tobias Hume
What Greater griefe
Tickell me quickly
Tickell, tickellc1579-1645 -
Giulio Caccini
Dovrò dunque morire
-
Anonymous
Cruda Amarilli
17th century -
Robert Jones
In Sherwood livde stout Robin Hood
fl. 1597-1615 -
Anonymous
Robin Hood
17th century -
Anonymous
The Dark Is My Delight
17th century -
Mr. Anthonye
Praeludium
17th century -
Gervise Gerrarde
Paven
17th century -
Giulio Caccini
Amor, io parto
-
Daniel Farrant
Pavan
c1575-1651 -
Alfonso Ferrabosco II
Why Stays the Bridegroom
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Anonymous
Bonny Sweet Robin
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Tobias Hume
Adue Sweete Loue
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John Wilbye
Weepe, Weepe Mine Eyes
1574-1638 -
Giulio Caccini
Non ha ’l ciel cotanti lumi
Musicians
- Céline Scheen soprano
- Philippe Pierlot viola da gamba
About the performers
Philippe Pierlot is a Belgian conductor and gambist, renowned for his expertise in performing baroque music. He is the founder and artistic director of the Ricercar Consort and has made numerous recordings for the Ricercar label. Pierlot is a highly sought-after conductor of baroque ensembles, performing internationally. His detailed interpretations and deep knowledge of historical performance practices have established him as a leading figure in early music.
Belgian soprano Céline Scheen began her musical training at the Conservatory in Verviers, later studying at the Royal Conservatories of Mons and Brussels, and the Guildhall School in London. Known for her performance on the soundtrack of Le Roi danse, she has appeared in numerous operas across Europe, including at the Théâtre Royal de la Monnaie and Carnegie Hall. Scheen is also a singing professor at the Royal Conservatory in Liège since 2019.