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About this concert
Ukulele orchestra, singing saw, synthesizer: Vivaldi's Le quattro stagioni has taken on hundreds of guises. For our historical(!) version, Tobie Miller performs as the incarnation of Nicolas Chédeville, the French court musician who made an arrangement for the then very hip hurdy-gurdy. Chédeville also published sonatas by his own hand under Vivaldi's name... In this disguise, the boundaries between original and imitation are blurred. Can you still hear what is real and what is not?
Programme
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Antonio Vivaldi / arr. Nicolas Chédeville
Le Printemps
Allegro – adagio – pastorello: allegro
(from: Le Printemps, ou Les saisons amusantes, Op. 8, 1739)1678-1741 / 1705-1782 -
Nicolas Chédeville / publ. as Antonio Vivaldi
Sonata no. 4
Préludio (largo) – allegro ma non presto – pastorale ad libitum – allegro
(from: Il Pastor Fido, Op. 13, 1737) -
Antonio Vivaldi / arr. Nicolas Chédeville
Les Plaisirs de l’été
Allegro – largo - la cacia (allegro)
(from: Le Printemps, ou Les saisons amusantes) -
Antonio Vivaldi
Sonata da Camera a Tre, no. 12 ‘folia’ (Opera Prima)
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Antonio Vivaldi / arr. Nicolas Chédeville
L'Automne
Allegro - largo sempre piano (l’hiver) – allegro
(from: Le Printemps, ou Les saisons amusantes)
Musicians
- Ellie Nimeroski, Maya Webne-Behrman violin
- Caroline Ritchie cello
- Johannes Keller harpsichord
- Esteban La Rotta theorbo, baroque guitar
- Tobie Miller hurdy gurdy, musical direction
About the performers
The Swiss Ensemble Danguy specializes in music in which the hurdy-gurdy plays a central role. The group’s leader, Tobie Miller, is one of the few performers who discovered this traditionally folk instrument—related to the bagpipes and the Swedish nyckelharpa—through early music. The ensemble is named after the most famous hurdy-gurdy player of the eighteenth century, known to us only as L’illustre Danguy.