Música Temprana
Voices in Mirror Image
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Livestream from Utrecht, TivoliVredenburg / Hertz on 30 August 2026 at 17:00
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About this concert
Discover the sparkling world of villancicos de remedo: music full of colour, rhythm, and stories from the Spanish-speaking world. These works play with imitation: singers step into the shoes of a wide variety of characters, thus giving voice to diverse cultural perspectives. Música Temprana brings this unique music to life together with performer, poet, and specialist in Latin American culture Nanne Timmer. In this way, every voice takes on meaning within the historical and colonial context in which this music originated. A surprising and thought-provoking programme.
Also live on www.emtv.online.
Programme
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I. Villancicos de pastores (shepherds)
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Gaspar Fernandes
Quieres pastorcillo
c1570-1629 -
Juan Gutiérrez de Padilla
No hay zagal como Gilillo
c1590-1664 -
***
II. Jácaras -
Sebastián Durón
Vaya pues rompiendo el aire
1660-1716 -
Manuel Mesa y Carrizo
Oigan, escuchen, atiendan ‘Jacarilla a la Concepción de Nuestra Señora’
c1740-after 1795 -
Juan Bautista Comes
Gozos a Nuestra Señora de la Antigua
1582-1643 -
***
III. Gitanillas
-
Anonymous
Alto mis gitanas
Columbia -
Matías de Durango
Niño de mil sales
1636-1698 -
***
IV. Guineos -
Anonymous
Tonada El Congo
Peru 18th century -
Anonymous
A flansico repuntiya
Spain 17th century -
Anonymous
Saõ qui turo zente pleta
Programme subject to changePortugal 17th century
Musicians
- Nane Timmer performance
- Lucía Martín Cartón, Olalla Alemán soprano
- Luciana Cueto mezzosoprano
- Laura Lopes alto
- Camilo Delgado Díaz, Emilio Aguilar tenor
- Hugo Oliveira bass
- Manuel Vilas Rodríguez harp
- Nick Milne viola da gamba
- Wouter Verschuren dulcian
- Jorge López Escribano harpsichord, organ
- Adrián Rodríguez Van der Spoel musical direction, guitar
About the performers
Founded in 2001 by Argentine-Dutch conductor Adrián Rodríguez Van der Spoel, Música Temprana specialises in Baroque repertoire from Latin America. Música Temprana's musicians are classically trained, but all have musical roots in the Latin American music tradition, so Baroque and folklore go hand in hand. The repertoire comes mainly from the archives, cathedrals and Jesuit missions of Latin America, where Rodríguez Van der Spoel regularly searches for forgotten compositions.