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About this concert
Is the cello really the instrument that comes closest to the human voice? Pulcinella puts it to the test! In lamentations by Fiocco and Van Helmont, the voice seeks solace. The caprices of Dall’Abaco give voice to the strings – free, virtuosic, and unconstrained. The thriving formation led by Ophélie Gaillard, with soprano Sandrine Piau, builds bridges between introspection and expression, focus and connection, in a single breath.
Programme
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Joseph dall' Abaco
Capriccio for cello solo no. 1
1710-1805 -
Joseph-Hector Fiocco
Seconde Lamentation du Jeudi saint
1703-1741 -
Joseph dall' Abaco
Capriccio for cello solo no. 2
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Charles Joseph van Helmont
Troisième Lamentation du Vendredi saint
1715-1790 -
Joseph dall' Abaco
Capriccio for cello solo no. 6
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Maria Anna von Raschenau
Deh recatemi la morte
(from: Le sacre stimmate di S. Francesco d’Assisi, 1695)1644/50-1714 -
Joseph dall' Abaco
Capriccio for cello solo no. 4
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Joseph-Hector Fiocco
Première lamentation du Jeudi saint
Programme subject to change
Musicians
- Sandrine Piau soprano
- Pascale Clément cello
- Yuli Bayeul theorbo
- Louise Acabo harpsichord, organ
- Ophélie Gaillard musical direction, cello
About the performers
The French ensemble Pulcinella is a group of virtuosic soloists and ensemble players with a passion for historical instruments. The orchestra is led by cellist Ophélie Gaillard and regularly collaborates with talented young musicians. Pulcinella is particularly committed to the area where it operates (Île-de-France in the Paris region) and more specifically Seine-Saint-Denis. Its aim is to enable as many people as possible to discover Baroque and Classical music.