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About this concert
Butterflies in the stomach, clammy hands and groundbreaking performances: the tension rises during the denouement of the International Van Wassenaer Competition. Who will walk off with the winnings? Four young early music ensembles compete for the prize pool: various sums of money, masterclass vouchers and a concert tour in the Festival Oude Muziek Tournees.
Programme
-
Pierre Certon
Le blanc et noyr
(from: Livre 20: 28 chansons a 4, 1546)ca. 1510/20-1572 -
Maddalena Casulana
Monti, selve, fontane
O notte, o cielo, 0 mar
(from: Il secondo libro de madrigali a quattro voci, 1570)ca. 1540-ca. 1590 -
Anonymous
Ay luna
Estas noches
(from: Cancionero de Uppsala, 1550) -
Cipriano de Rore
Il desiderio
(from: Primo libro de diversi … Il desiderio, 1566)1515/16-1565 -
Maddalena Casulana / Liane Sadler
Ricercar naar Stavasi il mio bel sol
(from: Il gaudio, 1567, second edition 1586)
Cinta di fiori un giorno (Canzon prima parte)
Gli occhi lucenti (Seconda parte)
La dea che nel mar nacque (Terza parte)
Io felice pastore (Quarta parte)
Per lei pos' in oblio (Quinta et ultima parte)
(from: Il secondo libro de madrigali a quattro voci, 1570) -
Claudin de Sermisy
Jouyssance vous donneray
(from: Chansons nouvelles en musique à quatre parties, 1528)ca. 1490-1562 -
Maddalena Casulana / diminutions by Liane Sadler
Vagh' amorosi augelli
(from: Il secondo libro de madrigali a quattro voci, 1570)
Amorosetto fiore
(from: Terzo libro del Desiderio, 1567)
Musicians
- Liane Sadler traverso
- Elias Conrad lute
About the performers
Liane Sadler and Elias Conrad met at the Schola Cantorum Basiliensis. They are fascinated by the unique sound world of the Renaissance and early Baroque, particularly the repertoire combining the traverso with the Renaissance lute, theorbo, guitar, or vihuela. This instrumentation offers a unique breadth and depth of color and dynamics, creating an intimate and complex musical experience. The duo focuses on both purely instrumental music and instrumental arrangements of vocal music - works that are enriched, for instance, with diminutions and improvised ornamentation in a historically informed style.