Gabrieli Consort & Players / Paul McCreesh
Feast of Saint Isidorus
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Recorded live at TivoliVredenburg / Grote Zaal, Utrecht, 27 August 2024
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About this concert
Of the sixteen masses published by the Sevillian Cristóbal de Morales in 1544, only one is based on a secular song: the six-part Missa Mille regretz, wrought around a chanson by Josquin des Prez. And this is no coincidence: with his collection of masses, Morales marketed himself as the true heir to Spain's favourite Lowlander.
With voices and instruments, Gabrieli Consort frames this key work in a ceremonial setting at Toledo Cathedral, where Morales was active as Kapellmeister for several years. There, on holy days, such as the feast of Isidorus of Seville, polyphony was sung and accompanied by wind instruments. Tientos for organ and Spanish-style Gregorian chants form the velvet against which Morales' crown jewel shines again.
Programme
-
Francisco Guerrero
Cancíon
1528-1599 -
Philippe Rogier
Cancíon: ‘Ecce sacerdos magnus’
Cancíonca. 1561-1596 -
Antonio de Cabezón
Extract of Tiento del quinto tono
ca. 1510-1566 -
Plainchant
Introitus: In medio ecclesiae
-
Cristóbal de Morales
Missa ‘Mille regretz’
Kyrie
Gloriaca. 1500-1553 -
Plainchant
Oratio: Dominus vobiscum ... Deus, qui populo tuo
-
Antonio de Cabezón
Extract from Tiento del quarto tono
-
Plainchant
Epistola: Lectio Epistolae beati Pauli Apostoli ad Timotheum
-
Francisco Guerrero
Canción: ‘Subiendo amor’
Canción: ‘Todos aman’ -
Plainchant
Evangelium: Dominus vobiscum ... Sequentia sancti Evangeli secundum Matthaeum
-
Cristóbal de Morales
Missa ‘Mille regretz’
Credo -
Antonio de Cabezón
Tiento del octavo tono
-
Francisco Guerrero
O Doctor optime
-
Plainchant
Prefatio: Per omnia saecula saeculorum ... Vere dignum et justum est ...
-
Cristóbal de Morales
Missa ‘Mille regretz’
Sanctus -
Aguilera de Heredia
Tiento de falsas de cuarto tono
1561-1627 -
Nicolas Gombert
Mille regretz
ca. 1495-ca. 1560 -
Plainchant
Pater Noster: Per omnia saecula saeculorum ... Pater noster ...
-
Cristóbal de Morales
Missa ‘Mille regretz’
Agnus Dei -
Plainchant
Communio: Fidelis servus et prudens
-
Plainchant
Postcommunio: Dominus vobiscum ... Ut nobis, Domine
-
Plainchant
Ite Missa Est: Ite missa est ... Deo gratias
-
Philippe Rogier
Cancíon: untitled
-
Antonio de Cabezón
Extract from Tiento del primo tono
-
Cristóbal de Morales
Emendemus in melius
Musicians
- David Allsopp, Mark Chambers, Tristram Cooke, Matthew Farrell alto
- Jeremy Budd, Jonathan Hanley, Tom Robson, Edward Ross tenor
- Richard Bannan, Eoghan Desmond baritone
- William Gaunt, Ben McKee bass
- William Lyons recorder, shawm, bass dulcian
- Nicholas Perry recorder, shawm, bass dulcian
- Fiona Last recorder, shawm
- Richard Thomas cornetto, recorder
- Alma Mayer cornetto, recorder
- Tom Lees trombone
- Martyn Sanderso trombone
- Jan Waterfield organ
About the performers
For over 40 years, the Gabrieli Consort & Players, under the artistic direction of Paul McCreesh, has been seeking to challenge common and accepted perceptions of classical music. Gabrieli is renowned both for its performances and a widely-acclaimed recording catalogue. Its historically-informed interpretations include major works of the oratorio tradition, renowned historical reconstructions and virtuosic a cappella programmes of music from across the centuries.